A work in constant progress (and occasional regress).
Release Date:
May 25, 2022
Original Title:
L'ombre des pères
Genres:
Documentary
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 93
The film follows men over several years who reach the age their father was when he died. Among these men are Cyrill Renaud, the son of filmmaker Renaud Victor, who carries the weight of an interrupted work, and Cyril Casmèze, a zoomorphic acrobat who has made working with animality a mode of protection and survival. It is an exploration of grief over the long term, a story of fathers and sons, but also a story of mothers and sons. When the father is gone, the relationship to the mother changes. The film is constructed in two chapters. One that looks back on the brutality of the loss and the trauma, the other that opens up the future, the transformation, the rebirth, now that these men have outgrown their father and allow themselves to live. A third man, Loup, joins them. He too has lost his father and "being a father in turn" has been a way to move forward.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.