A work in constant progress (and occasional regress).
Featuring:
Maude Fealy, Gardner Crane, Helen Badgley
Written by:
Maude Fealy
Directed by:
Eugene Moore
Release Date:
January 27, 1914
Original Title:
The Woman Pays
Genres:
Drama
Production Companies:
Thanhouser Company
Production Countries:
United States of America
Ratings / Certifications:
US: NR
The Woman Pays is a 1914 silent film
A three-part offering, with some tremendous situations that will be effective in their appeal to audiences; for, although the method of arriving at them is not wholly convincing, the producer's art appeals to our emotions and in doing so distracts our attention from the means used. We see this innocent society woman helpless with deep pity, but her weakness is harder to sympathize with, the more because another half hour's struggle would have righted her. This weakness is a bit unpleasant in a picture that does not deal with true life. Maude Fealy is featured in the leading role, with James Cruze as the villain, and both are about as good in their parts as we could ask. There are numerous incidents in it filled with convincing realism and the whole is a credit to its producer. But it is not a story that can be wholly fortunate on the screen. It is harder to make an essentially weak story convincing on the screen than on the stage. - The Moving Picture World, February 7, 1914
Director:
Eugene Moore
Scenario Writer:
Maude Fealy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.