A work in constant progress (and occasional regress).
Release Date:
September 10, 2016
Original Title:
Colleen Stan: The Girl in the Box
Genres:
Documentary | Drama
Production Countries:
Canada
Ratings / Certifications:
N/A
In the first hour of the two-part back-to-back special, Colleen Stan: The Girl in the Box, kidnapping survivor Colleen Stan tells the story of her seven-year ordeal. Abducted by a sadistic predator and his wife, she was brainwashed, tortured, and largely confined to a coffin-size box. From the very spot where she was first picked up, Colleen provides a riveting first-hand account. She explains how a slavery contract prevented her from running, and how mind control prevented her from going to police even once she was free. In the second hour learn how Colleen embraces freedom, but no matter how much she wants to move on, the past won't go away. When she eventually took the stand at her abductor's trial, she found herself portrayed as a willing participant. Evil may cast a long shadow, but faith and family ultimately allowed Colleen to reclaim her identity and find her mission.
Associate Producer:
Lana Gorlitz
Cinematography:
Kevin Rasmussen
Director:
Sean Turrell
Editor:
Robert K. Sprogis
Sharon Zupancic
Executive In Charge Of Production:
Suzanne Chapman
Executive Producer:
Jacqueline Bynon
Post Production Supervisor:
Joanna Maracle
Producer:
Kim Bondi
Production Manager:
Tiffany Martindale
Set Decoration:
Richard Matheson
Sound Recordist:
Brad Dawe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.