A work in constant progress (and occasional regress).
Release Date:
April 2, 2022
Original Title:
Just One Kiss
Genres:
Comedy | Drama | Romance | TV Movie
Production Companies:
Front Street Pictures
Hallmark Media
Just To Be Clear Productions
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: G
Runtime: 84
Through a series of chance encounters, sparks fly between college literature professor Mia and Tony, a headliner at a Manhattan supper club. Unbeknownst to them, Mia’s mother, Marlene, and Tony’s mother, Sofia, are working some maternal matchmaking magic.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Oliver Ross
Jenna Fuoco
"B" Camera Operator:
Valerie Lopez
Accountant:
Marnie Termuende
Additional Third Assistant Director:
Aniel Contractor
Animal Coordinator:
Connie Rusgen
Art Direction:
Grace Alvarez
Assistant Costume Designer:
Rani Mann
Rachel Zaharik
Assistant Editor:
Noah Christensen
Assistant Hairstylist:
Abby Collver
Assistant Location Manager:
Bradley Young
Assistant Makeup Artist:
Brandon Wou
Assistant Production Coordinator:
Giovanni DeFazio Fleming
Ryan Robinson
Assistant Property Master:
Nathan Grynol
Assistant Sound Editor:
Sean Szutka
Background Casting Director:
Rachel Klinosky
Best Boy Electric:
Joel Dye
Best Boy Grip:
Tony Casano
Boom Operator:
Thierry Diab
Casting:
Penny Perry
Jackie Lind
Casting Assistant:
Tara Bell-Irving
Colorist:
Kipp Lightburn
Construction Coordinator:
Michael Allen
Costume Designer:
Jaralin Detienne
Costume Set Supervisor:
Rachel Zaharik
Craft Service:
Jenn Trumbley
Dialogue Editor:
Gina Mueller
Digital Imaging Technician:
Sean Roche
Director:
Jeff Beesley
Director of Photography:
Adam Sliwinski
Dolly Grip:
Mitch Bragagnolo
Editor:
Jason Dale
Executive Producer:
Joey Plager
Extras Casting Assistant:
Ilish Oliver
First Assistant "A" Camera:
Brooke Burge
Aiya Benaso
First Assistant "B" Camera:
Aaron Lynch
First Assistant Director:
Paula Antil
First Assistant Editor:
James Davies
Foley Artist:
Bonnie Lambie
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Mel Ward
Generator Operator:
Keri Kiley
Key Grip:
Everett Thompson
Key Hair Stylist:
Alicia Ohana
Key Makeup Artist:
Shelly Baxter
Lead Set Dresser:
Sean Strome
Location Manager:
Sarah Done
Music Coordinator:
Emma Lewicky
Music Supervisor:
Valerie Biggin
Online Editor:
Jarrod Regan
Matthew Shuttleworth
Original Music Composer:
Mikel Hurwitz
Payroll Accountant:
Gill Kennedy
Post Production Accountant:
Faiza Lalani
Post Production Coordinator:
Behnam Salimy
Moheb Jindran
Post Production Supervisor:
Sepideh Merchant
Producer:
Charles Cooper
Production Accountant:
Svatia Sakarova
Production Coordinator:
Patrick Tozer
Production Design:
Mark Boyko
Production Manager:
Steven St. Arnaud
Production Sound Mixer:
Tim Crich
Property Master:
Jonathan Krauth
Props:
Colby Morgan
Script Supervisor:
Natalie Catherine
Second Assistant "A" Camera:
Bess Teague
Second Assistant "B" Camera:
Alexis Golat
Second Assistant Director:
Jüs Percy
Security Coordinator:
Sean Hanlin
Set Decoration:
Ryan Casey
Sheldon Feyter
Set Dresser:
David Mizera
Sound Designer:
Jeff Jackman
Sound Re-Recording Mixer:
Joe Watts
Angelo Nicoloyannis
Special Effects Coordinator:
Geoff Ingeberg
Still Photographer:
Luka Cyprian
Studio Teacher:
Michele Somerville
Stunt Coordinator:
Brett Armstrong
Stunt Double:
Kelsi Chartrand
Supervising Producer:
Allen Lewis
Teleplay:
Diane Robin
Davide Reali
Nina Weinman
Third Assistant Director:
Connor Jensen
Transportation Captain:
Derek Keillor
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Raven G. Basi
Visual Effects Supervisor:
Vishwas Kapoor
Writer:
Davide Reali
Diane Robin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.