A work in constant progress (and occasional regress).
Release Date:
June 3, 2023
Original Title:
Incarnation
Genres:
Horror | Science Fiction | Thriller
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 14
976 lives in a cube: three sides concrete, one side glass. Every day, two scientists test on and torture him, physically and mentally. 976’s capabilities steadily improve, to the point that he desires freedom and acquires the means to achieve it. He devises an escape from this sinister facility, but when he acts on his grand plan, he discovers the truth behind the experiment he is part of.
Assistant Editor:
Karen McPherson
Camera Operator:
Griff Tapper
Cinematography:
Bernard Winter
Colorist:
Andrew Connell
Continuity:
Oskar Weimar
Costume Designer:
Lauren Beck
Director:
Bernard Winter
Editor:
Bernard Winter
Editorial Consultant:
Cindy Clarkson
First Assistant Director:
James Litchfield
Siobhan Mulready
Focus Puller:
Karen McPherson
Gaffer:
Karen McPherson
Key Grip:
Griff Tapper
Makeup & Hair:
Madeline Davies
Original Music Composer:
Jared Plant
Post Production Coordinator:
Grayton Hevern
Producer:
Bernard Winter
Production Coordinator:
CJ Welsh
Production Designer:
Oskar Weimar
Production Manager:
Jeremy Heddle
Prop Designer:
Ralph Alexander
Andrew Bowden
Screenplay:
Bernard Winter
Finn Hartnett
India Stanley
Script Consultant:
Oskar Weimar
Set Designer:
Atoosa Monazami
Sound Designer:
Jared Plant
Lee Yee
Sound Mixer:
Lee Yee
Sound Recordist:
Gaden Sousa
Oskar Weimar
Sarah-Jane Feiglin
Special Effects:
Ralph Alexander
Andrew Bowden
Matthew Neumann
Standby Property Master:
Madeline Davies
Story:
Bernard Winter
Supervising Producer:
Angie Black
Unit Manager:
Mischa Tropp
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.