A work in constant progress (and occasional regress).
Release Date:
October 23, 1998
Original Title:
Soldier
Alternate Titles:
El Ultimo Soldado
El último soldado
Galaktyczny wojownik
O Soldado do Futuro
Soldier
Soldier Schwäche = Tod
Żołnierz przyszłości
Genres:
Action | Drama | Fantasy | Science Fiction
Production Companies:
Impact Pictures
Jerry Weintraub Productions
Morgan Creek Entertainment
Warner Bros. Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BG: R CZ: 15+ DE: 18 GB: 18 GR: 16 US: R
Runtime: 99
Sergeant Todd is a veteran soldier for an elite group of the armed forces. After being defeated by a new breed of genetically engineered soldiers, he is dumped on a waste planet and left for dead. He soon interacts with a group of crash survivors who lead out a peaceful existence. The peace is broken as the new soldiers land on the planet to eliminate the colony, which Sergeant Todd must defend.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Artist:
Morgan Trotter
ADR Editor:
Gail Clark Burch
Barbara J. Boguski
Constance A. Kazmer
Armorer:
Jared Chandler
David Fencl
Art Direction:
Thomas Valentine
Assistant Art Director:
Melanie J. Baker
Paul Sonski
Assistant Sound Editor:
Lee W. Lebaigue
Tony Negrete
Philip D. Morrill
Michelle Pazer
Associate Producer:
Fred Fontana
Best Boy Electric:
Wayne Marshall
Jesse Tango
Boom Operator:
Donavan Dear
CG Animator:
Dominick Cecere
Cableman:
Von Varga
Camera Operator:
Allen D. Easton
Mark Van Loon
Casting:
Mindy Marin
Casting Associate:
Julia Kim
Chief Lighting Technician:
Bobby Burton
Co-Producer:
Jeremy Bolt
Color Timer:
David Orr
Concept Artist:
Simon Murton
Conceptual Design:
Feng Zhu
Conceptual Illustrator:
Richard K. Buoen
Construction Coordinator:
Joe Wood
Costume Design:
Erica Edell Phillips
Costume Supervisor:
Donna Marcione Pollack
Mark Peterson
Costumer:
Francesca Brunori
Dialogue Editor:
Neal J. Anderson
Digital Effects Producer:
Diane Fazio
Digital Effects Supervisor:
Doug Tubach
Director:
Paul W. S. Anderson
Director of Photography:
David Tattersall
Dolly Grip:
Charles W. Wayt
Editor:
Martin Hunter
Electrician:
Allen Marshall
Paul Hazard
Executive Producer:
R.J. Louis
James G. Robinson
Susan Ekins
First Assistant "A" Camera:
Bob Hall
Brad Peterman
First Assistant Director:
Dennis Maguire
First Assistant Editor:
Elaine C. Andrianos
First Assistant Sound Editor:
Victor Ray Ennis
Foley Editor:
Gary Mundheim
Bob Beher
Philip A. Hess
Mark Gordon
Chris Hogan
Foley Mixer:
Eric Gotthelf
Key Grip:
Casey Jones
Key Hair Stylist:
Peggy Semtob
Makeup Artist:
Steve LaPorte
Dennis Liddiard
Peter Montagna
Greg LaCava
Music Editor:
Alex Gibson
Curtis Roush
Orchestrator:
David Slonaker
Original Music Composer:
Joel McNeely
Producer:
Jerry Weintraub
Production Design:
David L. Snyder
Property Master:
Tom Shaw Jr.
Pyrotechnician:
Al Marangoni
Richard L. Hill
Rigging Gaffer:
James Keys
Mark Mele
Rigging Grip:
Ty Suehiro
Erik Hecomovich
Damon Doherty
Screenplay:
David Webb Peoples
Script Supervisor:
Lyn Matsuda Norton
Second Assistant Director:
Jayson Merrill
Second Unit Director:
David R. Ellis
Second Unit Director of Photography:
Gary Capo
Sequence Supervisor:
Michael Conelly
Set Costumer:
John M. 'Jack' Wright
Katrina Mastrolia
Joseph T. Mastrolia
Set Decoration:
Kate J. Sullivan
Set Designer:
Clare Scarpulla
Ron Mendell
Peter Clemens
Daniel R. Jennings
Richard Berger
Mick Cukurs
Suzan Wexler
Set Dresser:
Edmond Scott Ratliff
Bart Sullivan
Freddy Waff
Brian Massey
Glen Kennedy
Sound Designer:
Mark P. Stoeckinger
Scott Martin Gershin
Michael A. Reagan
Sound Effects Editor:
Tony Lamberti
Rick Morris
Randy Kelley
Peter Zinda
Bryan Bowen
Glenn T. Morgan
Peter J. Lehman
Sound Mixer:
Andy Wiskes
Sound Re-Recording Mixer:
Gregg Rudloff
John T. Reitz
David E. Campbell
Special Effects Makeup Artist:
Steve LaPorte
Special Effects Supervisor:
Clay Pinney
Werner Hahnlein
William D. Harrison
Al Broussard
Hans Metz
Still Photographer:
Ron Phillips
Stunt Coordinator:
Mark De Alessandro
Dick Ziker
Stunt Double:
Henry Kingi Jr.
John Casino
Stunts:
Duffy Gaver
Jeannie Epper
Cinda-Lin James
Paul Sklar
Thomas Robinson Harper
Seth Arnett
Sven-Ole Thorsen
April Weeden
Kevin L. Jackson
Steve Holladay
Annie Ellis
Cheryl Bermeo
Dane Selznick
Tim Gilbert
Chris Durand
Joe Bucaro III
J.P. Romano
Troy Robinson
Dana Hee
Keith Campbell
Chris Blackwood
Pat Romano
Benny Urquidez
Rex Reddick
Bennie Moore
Dustin Meier
John T. Cypert
Jane Oshita
Jimmy Romano
Robin Tracey Sherwood
Troy Gilbert
Tawny Ellis
Janet Brady
Lincoln Simonds
Danny Rogers
Dwayne McGee
Mark Chadwick
Jack Carpenter
Buddy Joe Hooker
Steve Picerni
Riley Harper
Steve Kelso
John C. Meier
Lisa McCullough
Kent W. Luttrell
Viktor Ivanov
Jared S. Eddo
Todd Bryant
William H. Burton Jr.
Shawn Robinson
Debbie Lynn Ross
Supervising ADR Editor:
Dave McMoyler
Supervising Dialogue Editor:
Paul Timothy Carden
Supervising Sound Editor:
Mark P. Stoeckinger
Video Assist Operator:
David Schmalz
Lance Jay Velazco
Visual Effects Coordinator:
Chris Anderson
Visual Effects Editor:
Hitoshi Inoue
Harrison Gibbs
Visual Effects Producer:
Casey Cannon
David Taritero
Terry Whiteside
Mitzi Casida-Jones
Visual Effects Supervisor:
Craig Barron
Van Ling
Tom Leeser
Ed Jones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.