A work in constant progress (and occasional regress).
Release Date:
February 24, 1978
Original Title:
O moravské zemi
Genres:
Drama
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.
Assistant Camera:
Vladimír Murat
Assistant Director:
Jiří Kratochvíl
Jarmila Čajová
Assistant Editor:
Gabriela Pitráková
Anna Mejtská
Assistant Production Design:
Josef Kraus
Camera Operator:
Adolf Hejzlar
Clapper Loader:
Ivana Malíková
Conductor:
František Belfín
Costume Design:
Svatava Sophová
Costumer:
Miloslava Šmídová
Věra Hájková
Creative Producer:
Miroslav Hladký
Director:
Antonín Kachlík
Director of Photography:
Josef Illík
Dramaturgy:
Jaroslav Kubát
Editor:
Jaromír Janáček
First Assistant Director:
Jiří Růžička
Makeup & Hair:
Božena Došlá
Miloslav Jandera
Eva Vyplelová
Novel:
Fanek Jilík
Production Design:
Milan Nejedlý
Production Manager:
Jan Syrový
Screenplay:
Josef Vaculík
Antonín Kachlík
Set Decoration:
Josef Pavlík
Ladislav Rada
Jaroslav Lehman
Sound:
Adolf Böhm
Still Photographer:
Karel Ješátko
Unit Production Manager:
Jiří Radil
Vaclav Eisenhamer
Vladimíra Kopecká
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.