A work in constant progress (and occasional regress).
Release Date:
December 31, 2021
Original Title:
Dark Eyes
Genres:
Documentary
Production Companies:
VCA School of Film and Television
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 19
Arguably Russia’s most famous folk song, Dark Eyes has captured hearts around the world for the past 100 years. This portrait explores the song’s somewhat controversial history, its musical versatility and its cultural relevance. Performances by Louis Armstrong, Frank Sinatra, Liberace, a 13-piece orchestra and a Russian folk group make it clear why Dark Eyes has stood the test of time.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Camera Operator:
Aly Zhang
Guillym Davenport
Tess McArthur-Dowty
David Coleman
Conductor:
Alan Cook
Director:
Karen Jemison
Director of Photography:
Mark Bakaitis
Editor:
Karen Jemison
Editorial Consultant:
Lucy Paplinska
First Assistant Director:
Tess McArthur-Dowty
Music Arranger:
Luke Hunter
Online Editor:
Declan Loughran
Post Production Coordinator:
Grayton Hevern
Producer:
Karen Jemison
Production Coordinator:
CJ Welsh
Sound Engineer:
Jake Sipcic
Jordan Ross
Sound Mixer:
Lincoln Sharpe
Sound Recordist:
Emmy Clifton
Still Photographer:
Linus Tolliday
Tess McArthur-Dowty
Supervising Producer:
Shannon Owen
Steve Thomas
Thanks:
Marcello Lo Ricco
Alan Cook
Dr Hubertus Jahn
Kate Pekarin
Title Designer:
Nicholas Bufalo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.