A work in constant progress (and occasional regress).
Release Date:
January 1, 1986
Original Title:
コロマダII 眠れないコロのために…
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 32
The ultimate weapon, Koro, has escaped, take him alive! Our heroes, the four Voice Rangers, rise up to the occasion in this near-future science fiction action romp that is sure to be a favorite among boys. The four heroes, the Voice Rangers, rise to the occasion. The four men shoot guns, chase and confront Kolo (the dog) in the high school and the surrounding residential area. Their exploits are portrayed in a dynamic and ridiculous way, with parodies of TV shows, clones of famous scenes from American films and MTV flicks. This is a film that is 10 years ahead of its time.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.