A work in constant progress (and occasional regress).
Release Date:
February 15, 2022
Original Title:
Electronic Vibrations – Ein Sound verändert die Welt
Alternate Titles:
Electronic Vibrations: The Sound That Changed Everything
Electronic vibrations: dźwięk, który zmienił wszystko
Electronic vibrations: el sonido que lo cambió todo
Electronic vibrations: il sound che ha cambiato la musica
Genres:
Documentary | History | Music | TV Movie
Production Companies:
3B-Produktion
ARTE
WDR
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 52
The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.
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Camera Operator:
Paul Pflüger
Sabine Panossian
Maximilian Schmige
Colorist:
Jan Hartmann
Commissioning Editor:
Christian Nurtsch-Wesener
Martin Bürkl
Monika Dreissus
Director:
Thomas von Steinaecker
Director of Photography:
Christoph Valentien
Editor:
Volker Schaner
Producer:
Lucie Tamborini
Maria Willer
Bernhard von Hülsen
Production Manager:
Mária Géczi
Kerstin Conze
Sound:
Robert Sandow
Charles Grégoire
Sound Mixer:
Jörn Steinhoff
Writer:
Thomas von Steinaecker
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.