A work in constant progress (and occasional regress).
Release Date:
May 29, 1997
Original Title:
An American Werewolf in Paris
Alternate Titles:
2. An American Werewolf in Paris
American Werewolf 2
American Werewolf in Paris, An
Le loup-garou de Paris
Un Hombre Lobo Americano En Paris
Genres:
Comedy | Fantasy | Horror
Production Companies:
Avrora Media
Cometstone Pictures
Delux Productions
Hollywood Pictures
J&M Entertainment
PolyGram Filmed Entertainment
Propaganda Films
Président Films
Stonewood Communications
Production Countries:
France | Germany | Luxembourg | Netherlands | United Kingdom | United States of America
Ratings / Certifications:
AU: M DE: 18 ES: 16 FR: 18 GB: 15 IE: 15 US: R
Runtime: 98
An American man unwittingly gets involved with werewolves who have developed a serum allowing them to transform at will.
ADR Mixer:
Bill Higley
ADR Recordist:
Bernd Burkhardt
Frederic Legier
Derek Sample
Art Direction:
Hucky Hornberger
Assistant Camera:
Benny Ashoff
Assistant Director:
Iseult Frere
Véronique Souques
Associate Producer:
Klaus Bauschulte
Jimmy de Brabant
Camera Operator:
Anthony Waller
Jörg Widmer
David Norris
Erwin Roodhart
Egon Werdin
Casting:
Gail Levin
Characters:
John Landis
Co-Producer:
Bob Bellion
Alexander Buchman
Costume Design:
Maria Schicker
Director:
Anthony Waller
Director of Photography:
Egon Werdin
Editor:
Peter R. Adam
Electrician:
Marius Speller
Pierre Dermience
Gilbert Degrand
Philippe Lussagnet
Executive Producer:
Anthony Waller
First Assistant Director:
Marc van der Bijl
Foley Artist:
Jörn Poetzl
Foley Editor:
Pit Kuhlmann
Gaffer:
Erwin Roodhart
Johan van Steen
Hairstylist:
Katja Reinert-Alexis
Line Producer:
Patricia McMahon
Location Manager:
Pascal Charlier
Makeup & Hair:
Katja Reinert-Alexis
Makeup Artist:
Victor Leitenbauer
Makeup Effects:
Screaming Mad George
Original Music Composer:
Wilbert Hirsch
Producer:
Richard Claus
Production Design:
Matthias Kammermeier
Script Supervisor:
Els Rastelli
Second Assistant Director:
Laurent Dumas
Eric Paulin
Second Unit Director:
Stuart St. Paul
Set Decoration:
Andrea Schlimper
Songs:
Paul Andrews
Sound Designer:
Hubert Bartholomae
Sound Editor:
Andreas Musolff
Sound Effects Editor:
Pit Kuhlmann
Sound Recordist:
Frank Reinke
Special Effects:
Franziska Loeding
Special Effects Makeup Artist:
Screaming Mad George
Special Effects Supervisor:
Harald Rüdiger
Steadicam Operator:
Jörg Widmer
Stunt Coordinator:
Dave Holland
Rick Wiessenhaan
Harry Wiesenhaan
Gil Demurger
Stuart St. Paul
Stunt Double:
Michiel Versprille
Stunts:
Tony Lucken
Marco Maas
Willem de Beukelaer
Richard Bradshaw
Joel Bissen
Jörgtom Buttelmann
Roland Goddijn
Mireille Huisman
Martin Lader
Philippe Lebreton
Karin Marié
Diana Wiersma
Third Assistant Director:
Oscar van Raaij
Underwater Camera:
Roland Savoye
Unit Manager:
Claude Ludovicy
Visual Effects:
Stéphane Keller
Nicholas Waller
Visual Effects Art Director:
Peter Lloyd
Visual Effects Editor:
Yon Van Kline
Visual Effects Producer:
Diane Holland
Bruce Jones
Visual Effects Supervisor:
John Grower
Bruce Walters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.