A work in constant progress (and occasional regress).
Release Date:
December 8, 2023
Original Title:
All Souls
Genres:
Thriller
Production Companies:
Golden Arrow Entertainment
Particular Crowd
Red Phoenix Bookkeeping
Signature Films
Tea Shop Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
DE: 16 GB: 15 PR: R US: R
Runtime: 81
A young confidential informant is sent on a dangerous undercover operation. It's a no-holds-barred look at the vulnerable foot soldiers of the War on Drugs, young criminals who are pressured to work for the police.
Armorer:
Anthony Eikner
Assistant Makeup Artist:
Shaina Paulson
Best Boy Electric:
Eduardo Orozco
Casting:
Alexis Winter
Chief Lighting Technician:
William d'Anthony
Cinematography:
Sean Bagley
Co-Producer:
Leonora Darby
Costume Design:
Abbie Martin
Director:
Emmanuelle Pickett
Editor:
Chris Willett
Jacqueline Kramer
Executive Producer:
Peter Bevan
First Assistant Camera:
Jesse Amorratanasuchad
First Assistant Director:
Turner Fair
Foley Artist:
Leo Lozano
Gaffer:
Dave Wilwayco
Hair Department Head:
Kelsey Petersen
Line Producer:
Brianna Lee Johnson
Makeup Department Head:
Sherri Celis
Music:
Oliver Coates
Producer:
Sarah Gabriel
James Harris
Marc Goldberg
Mark Lane
Production Controller:
Nadine Luque
Production Design:
Freyja Bardell
Property Master:
Anthony Eikner
Second Assistant Camera:
Emma Craft
Leigh Stiepel
Sound Editor:
Lucas Cockcroft
Sound Effects Editor:
Lucas Cockcroft
Sound Mixer:
Chris Polczinski
Sound Re-Recording Mixer:
Michael Archacki
Stunt Coordinator:
Henry Kingi Jr.
T.J. White
Stunt Double:
Brittany Servidio
Stunts:
Eric C. Sun
Supervising Sound Editor:
Michael Archacki
Writer:
Anthony Ragnone II
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.