A work in constant progress (and occasional regress).
Release Date:
February 16, 2022
Original Title:
Marvel Studios Assembled: The Making of Eternals
Alternate Titles:
Assembled: The Making of Eternals
Betekintés: Így készült az Örökkévalók
Le making-of de les Éternels
Marvel Studios AVANTE: Nos Bastidores de Eternos
Marvel Studios: Betekintés – Így készült az Örökkévalók
The Making of Eternals
Δημιουργώντας το Eternals
אולפני מארוול הפקת נצחיים
מאחורי היצירות של נצחיים
מאחורי הקלעים של: נצחיים
《永恒族》的幕后特辑
Genres:
Documentary
Production Companies:
Marvel Studios
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 ES: 12 FR: 12 US: PG
Runtime: 58
Join director Chloe Zhao and the Cast of Eternals as they recount their experiences during the making of Marvel Studios’ most ambitious film to date. Discover how the ensemble cast felt stepping into their roles, filming in remote locations, and creating bonds that would help to create the on-screen relationships that span over 7,000 years.
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Additional Editing:
Joshua Sasson
Nathan Aceves
Steve Elkins
William Gilmore
Associate Producer:
Lauren Goralski
Colorist:
Todd Roisman
Director:
Bradley Hogan
Director of Photography:
Bradley Hogan
Editor:
Charlie Visnic
Executive Producer:
Victoria Alonso
Louis D'Esposito
Kevin Feige
Brad Winderbaum
Brad Baruh
Jeff Redmond
Graphic Designer:
Ellsworth Ramclam
Charlie Visnic
Other:
Jinah Park
Iris Lee
Post Production Coordinator:
Chris Ortiz
Post Production Supervisor:
Connor Laux
Producer:
Charlie Visnic
Sound Mixer:
Glenn Street
Sound Re-Recording Mixer:
John O'Herron
Writer:
Charlie Visnic
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.