A work in constant progress (and occasional regress).
Release Date:
October 29, 2004
Original Title:
Enduring Love
Alternate Titles:
Enduring Love - Liebeswahn
Liebeswahn
Przetrwanie miłości
Genres:
Drama | Mystery | Romance | Thriller
Production Companies:
Film4 Productions
Free Range Films
Ingenious Media
Inside Track
Paramount Classics
Pathé
Ridgeway Productions
UK Film Council
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
DE: 12 GB: 15 IE: 16 US: R
Runtime: 100
Two strangers become dangerously close after witnessing a deadly accident. On a beautiful cloudless day a young couple celebrate their reunion with a picnic. Joe has planned a postcard-perfect afternoon in the English countryside with his partner, Claire. But as Joe and Claire prepare to open a bottle of champagne, their idyll comes to an abrupt end. A hot air balloon drifts into the field, obviously in trouble. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. Joe and three other men rush to secure the basket. But fate has other ideas...
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ADR Recordist:
Peter Gleaves
Steve Haynes
Ted Swanscott
Aerial Camera:
Jeremy Braben
Aerial Coordinator:
Tony Bianchi
Assistant Art Director:
Sui Rajakaruna
Assistant Sound Editor:
Adam Laschinger
Associate Producer:
Ian McEwan
Boom Operator:
Adam Laschinger
Camera Operator:
Luke Redgrave
Casting:
Mary Selway
Fiona Weir
Construction Manager:
Rob Anderson
Costume Design:
Natalie Ward
Dialogue Editor:
Joakim Sundström
Director:
Roger Michell
Director of Photography:
Haris Zambarloukos
Editor:
Nicolas Gaster
Electrician:
Andy Purdy
Executive Producer:
François Ivernel
Cameron McCracken
Duncan Reid
Tessa Ross
First Assistant "B" Camera:
Tristam Cones
First Assistant Camera:
Hamish Doyne-Ditmas
First Assistant Director:
Barrie McCulloch
Floor Runner:
Stacy Crago
Afia Nkrumah
Foley Artist:
Ryan Searle
Jessie Taylor
Jack Stew
Foley Editor:
Haresh Patel
Gaffer:
Julian White
Hair Designer:
Konnie Daniel
In Memory Of:
Mary Selway
Line Producer:
Rosa Romero
Location Manager:
Jonah Coombes
Makeup Designer:
Konnie Daniel
Music Editor:
Emily Rogers Swanson
Novel:
Ian McEwan
Original Music Composer:
Jeremy Sams
Pilot:
Michael Malric-Smith
Post Production Supervisor:
Louise Seymour
Producer:
Kevin Loader
Production Accountant:
Jon Duncan
Production Coordinator:
Steffy Marrion
Production Design:
John Paul Kelly
Property Master:
David Horrill
Screenplay:
Joe Penhall
Script Supervisor:
Sue Hills
Second Assistant "B" Camera:
Polly Morgan
Second Assistant Camera:
Sally Low
Second Assistant Director:
Olivia Peniston-Bird
Second Unit Director:
Jim Dowdall
Second Unit Director of Photography:
Jake Polonsky
Second Unit First Assistant Director:
Kieron Phipps
Set Decoration:
Sara Wan
Sound:
Tim Alban
Sound Recordist:
Danny Hambrook
Steadicam Operator:
Simon Baker
Still Photographer:
Nicola Dove
Storyboard Artist:
John Greaves
Stunt Coordinator:
Jim Dowdall
Stunt Double:
Andy Godbold
Tim Halloran
Paul Lowe
Supervising Art Director:
Emma MacDevitt
Supervising Sound Editor:
Danny Hambrook
Third Assistant Director:
Amy Coop
Unit Manager:
Josh Yudkin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.