A work in constant progress (and occasional regress).
Release Date:
December 13, 1996
Original Title:
Jerry Maguire
Alternate Titles:
Jerry Maguire - elämä on peliä
Yeni bir baslangiç
ザ・エージェント:1996
Genres:
Comedy | Drama | Romance
Production Companies:
Gracie Films
TriStar Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CZ: 12+ DE: 6 DK: 7 ES: 7 FI: K-12 FR: U GB: 15 HU: 12 IE: 15 IT: T KR: 15 NL: 16 NO: 12 PL: 12 PT: M/12 RO: 15 SE: 7 US: R
Runtime: 139
Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player.
2002 #100 |
100 Years: 100 PASSIONS
100 Greatest Love Stories Of All Time |
2005 #25 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “Show me the money!” |
2005 #52 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “You had me at "hello".” |
2008 #10 |
Top 10: SPORTS
10 Greatest SPORTS Films of All Time |
3D Animator:
Tim Ketzer
ADR Editor:
Barbara J. Boguski
Mary Ruth Smith
John K. Adams
Additional Editor:
Gabriel Wrye
Art Direction:
Clayton Hartley
Virginia Randolph-Weaver
Assistant Accountant:
Douglas Jones
Assistant Art Director:
Wendy Riva
Eric Rosenberg
Sally Thornton
Assistant Production Coordinator:
Beau Sessions
Assistant Property Master:
Jim Stubblefield
William D. Parrish
Assistant Sound Editor:
Philip D. Morrill
Todd Egan
Thomas O'Neil Younkman
John Rice
Robert Batha
Associate Producer:
J. Michael Mendel
Lisa Stewart
Best Boy Electric:
Larry J. Richardson
Best Boy Grip:
Kevin Erb
Boom Operator:
Don Coufal
Camera Operator:
Mitch Dubin
Casting:
Gail Levin
Casting Assistant:
Eva Eastman
Casting Associate:
Tricia Tomey
Chief Lighting Technician:
David Devlin
Co-Editor:
David Moritz
Co-Producer:
Bruce S. Pustin
John D. Schofield
Color Timer:
Phil Hetos
Construction Coordinator:
John Villarino
Construction Foreman:
Mike Villarino
Costume Design:
Betsy Heimann
Costume Supervisor:
Lori Stilson
Linda Matthews
James Lapidus
Costumer:
Meg Matthews
Edward T. Hanley
Garet Reilly
Nava R. Sadan
Joyce Kogut
Cynthia Black
Craft Service:
Michael Kehoe
Dialogue Editor:
Gary Mundheim
Dan M. Rich
Chris Hogan
Paul Timothy Carden
Director:
Cameron Crowe
Director of Photography:
Janusz Kamiński
Dolly Grip:
Dwight Joseph Lavers
Editor:
Joe Hutshing
First Assistant Camera:
Steven Meizler
First Assistant Director:
Jerry Ziesmer
First Assistant Editor:
Ofe Yi
Foley Editor:
Dino DiMuro
Craig S. Jaeger
Mark Gordon
Hair Supervisor:
Linda Arnold
Michael White
Key Grip:
Jim Kwiatkowski
Key Rigging Grip:
Charley Gilleran
Leadman:
Greg Wilkinson
Location Manager:
Katherine Kallis
Andrew L. Ullman
Frawley Becker
Makeup Artist:
Stacye P. Branche
Denise Fischer
Carrie Angland
Makeup Supervisor:
Michèle Burke
Music Editor:
Carlton Kaller
Music Supervisor:
Danny Bramson
Original Music Composer:
Nancy Wilson
Producer:
James L. Brooks
Cameron Crowe
Laurence Mark
Richard Sakai
Production Accountant:
Mike Revell
Production Assistant:
Tory Reed
Suzanne Ziesmer
Brendan Murphy
Zac Jackson
Chris Palzis
Jesse Yoshimura
Chad Woelki
Richard K. Chung
Production Design:
Stephen J. Lineweaver
Production Executive:
Bridget Johnson
Production Illustrator:
Jack Johnson
Production Office Coordinator:
Susan Dukow
Production Secretary:
George Davis
Property Master:
Hope M. Parrish
Rigging Gaffer:
Brian Lukas
Script Supervisor:
Joanie Blum
Second Assistant Camera:
Mark Spath
Second Assistant Director:
Warren R. Turner
Second Second Assistant Director:
Bryan Denegal
Second Unit Director:
Allan Graf
Second Unit Director of Photography:
Chuck Cohen
Set Decoration:
Clay A. Griffith
Set Dresser:
Brana Rosenfeld
Robyn B. Holmes
John Maskovich
Jennifer Pray
John Hammer Maxwell
Bart C. Hubenthal
Set Production Assistant:
David Greditzer
Sound Effects Editor:
Tony Lamberti
Jon Title
Randy Kelley
Hector C. Gika
Sound Mixer:
Jeff Wexler
Sound Re-Recording Mixer:
Doug Hemphill
Rick Kline
Paul Massey
Special Effects Coordinator:
Paul H. Haines Jr.
Still Photographer:
Andrew Cooper
Stunt Coordinator:
Allan Graf
Stunts:
Danny Wynands
Candace Robinson
Al Whiting
Dain Turner
Don Tardino
Horace Knight Jr.
James Michael Hold Jr.
John Jackson
Keith Campbell
Steve Blalock
Supervising ADR Editor:
Chris Jargo
Supervising Sound Editor:
Michael D. Wilhoit
Wylie Stateman
Transportation Captain:
Timothy P. Ryan
Transportation Co-Captain:
Thomas Vilardo
Transportation Coordinator:
Don Tardino
Unit Production Manager:
Andrew Stone
Unit Publicist:
Michael Singer
Video Assist Operator:
Dean Striepeke
Visual Effects Coordinator:
Richard A. Benoit
Visual Effects Editor:
Rod Basham
Visual Effects Producer:
Ariana Lingenfelser
Visual Effects Supervisor:
Brad Kuehn
Writer:
Cameron Crowe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.