A work in constant progress (and occasional regress).
Release Date:
July 30, 1992
Original Title:
Death Becomes Her
Alternate Titles:
A Morte Fica-Vos Tão Bem
A Morte lhe Cai Bem
Döden klär henne
La muerte le sienta bien
La muerte os sienta tan bien
Ο Θάνατος σου Πάει Πολύ
永遠に美しく…
飞越长生
죽어야 사는 여자
Genres:
Comedy | Fantasy | Horror
Production Companies:
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M DE: 12 DK: 11 ES: A FR: U GB: PG GR: 13 HU: 12 IE: PG KR: 15 NL: 12 PT: M/12 SK: 12 US: PG-13
Runtime: 104
Madeline is married to Ernest, who was once arch-rival Helen's fiance. After recovering from a mental breakdown, Helen vows to kill Madeline and steal back Ernest. Unfortunately for everyone, the introduction of a magic potion causes things to be a great deal more complicated than a mere murder plot.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Thomas Whiting
Corinne Sessarego
ADR Mixer:
Doc Kane
ADR Supervisor:
Larry Singer
Animation Supervisor:
Wes Takahashi
Art Department Coordinator:
Caroline Quinn
Art Direction:
William James Teegarden
Assistant Art Director:
Lauren Cory
Paul Sonski
Erin M. Cummins
Linda Berger
Assistant Chief Lighting Technician:
Steve Chandler
Assistant Costume Designer:
Barcie Waite
Assistant Editor:
Stephen L. Meek
Assistant Location Manager:
Richard De Labio
Assistant Production Coordinator:
Janine Cavoto
Assistant Property Master:
Lee B. Drygas
Daniel R. Bentley
Assistant Sound Editor:
Angie Luckey
Jerry Edemann
Best Boy Grip:
Sid Lucero
Boom Operator:
Earl Sampson
CG Artist:
Geoff Campbell
Cableman:
D. G. Fisher
Camera Loader:
Jason Garcia
Camera Operator:
Raymond Stella
Casting:
Karen Rea
Casting Associate:
Donna Ekholdt
Chief Lighting Technician:
Mark Walthour
Choreographer:
Brad Jeffries
Co-Producer:
Joan Bradshaw
Color Timer:
David Orr
Construction Coordinator:
Jerry Fitzpatrick
Construction Foreman:
Richard Bruns
Costume Design:
Joanna Johnston
Costume Supervisor:
Pamela Wise
Costumer:
Gilbert S. Hernandez
Diana Wilson
Deborah Hopper
Linda Redmon
Paul St. John
Patricia Bercsi
Craft Service:
Tim Gonzales
Dialect Coach:
Tim Monich
Director:
Robert Zemeckis
Director of Photography:
Dean Cundey
Dolly Grip:
Dave Wachtman
Editor:
Arthur Schmidt
First Assistant Camera:
Clyde E. Bryan
First Assistant Director:
Marty P. Ewing
First Assistant Editor:
Carin-Anne Strohmaier
Foley Artist:
Hilda Hodges
Kevin Bartnof
Foley Mixer:
Carolyn Tapp
Foley Recordist:
Sandra García
Marilyn Graf
Greensman:
Jeffrey Thomas
Craig B. Ayers Sr.
Steve Miller
Grip:
John O'Grady
Marty Dobkousky
Michael Ronald Heath
Steven Cardarelli
Hairstylist:
Shirley Crawford
J. Roy Helland
Kathryn Blondell
Key Grip:
Ron Cardarelli
Key Hair Stylist:
Susan Germaine
Key Rigging Grip:
Bud Heller
Leadman:
Tim Donelan
Lighting Technician:
Gary Sneed
Anthony Wong
Mark Soucie
Ben O. Graham
Keith Roverud
Edward R. Thompson Jr.
O'Shana Walker
John Zirbel
Location Manager:
Karlene Gallegly
Makeup Artist:
Michael Mills
E. Thomas Case
J. Roy Helland
Lance Anderson
Nadege Schoenfeld
Greg Nelson
Makeup Designer:
Dick Smith
Makeup Effects Designer:
Scott Oshita
Jake Garber
John Dods
Makeup Supervisor:
Kevin Haney
Music Editor:
Kenneth Karman
Negative Cutter:
Gary Burritt
Orchestrator:
Don Davis
Original Music Composer:
Alan Silvestri
Producer:
Steve Starkey
Robert Zemeckis
Production Accountant:
Kevin Landry
Production Coordinator:
Jacqueline A. Shea
Production Design:
Rick Carter
Production Illustrator:
David Lowery
Martin A. Kline
Tom Cranham
Production Sound Mixer:
William B. Kaplan
Property Master:
John Zemansky
Prosthetic Supervisor:
Kevin Haney
Prosthetics:
Lance Anderson
Rigging Gaffer:
Patrick Marshall
Rigging Grip:
Raymond Michels
Script Supervisor:
Anne Rapp
Second Assistant Camera:
Jolanda Wipfli
Second Assistant Director:
Cherylanne Martin
Second Second Assistant Director:
Dana J. Kuznetzkoff
Second Unit Director:
Ken Ralston
Max Kleven
Second Unit Director of Photography:
Don Burgess
Set Decoration:
Jackie Carr
Set Designer:
Elizabeth Lapp
John Berger
Lauren E. Polizzi
Masako Masuda
Set Dresser:
Steven Jarrard
William Kemper Wright
Scott W. Leslie
Max E. Brehme
Bruce Fuselier
Sound Editor:
Jeff Clark
Larry Carow
Nils C. Jensen
Albert Gasser
Howard Neiman
Sound Re-Recording Mixer:
Rick Alexander
James Bolt
Andy D'Addario
Sound Recordist:
Mike Boudry
Special Effects Supervisor:
Michael Lantieri
Standby Painter:
William Solomon
Still Photographer:
Deana Newcomb
Stunt Coordinator:
Walter Scott
Stunt Double:
Keii Johnston
Barbara Anne Klein
Denise Lynne Roberts
Catherine Bell
Stunts:
Debbie Lynn Ross
Supervising Sound Editor:
Charles L. Campbell
Donald J. Malouf
Transportation Captain:
Maylon Houston
Transportation Co-Captain:
Ron Kelley
Transportation Coordinator:
Robert Neilson
Underwater Director of Photography:
Jack Cooperman
Unit Production Manager:
Joan Bradshaw
Unit Publicist:
Patti Hawn
Visual Effects:
Tom Woodruff Jr.
Doug Smythe
Visual Effects Supervisor:
Ken Ralston
Writer:
David Koepp
Martin Donovan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.