A work in constant progress (and occasional regress).
Release Date:
October 4, 2021
Original Title:
Der Beschützer
Alternate Titles:
The Key Witness
Genres:
Action | Crime | TV Movie | Thriller
Production Companies:
ARD
ARD Degeto
Wüste Medien
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 88
Jan Schäfer is a personal security officer at the BKA. Fiona Weibel, the key witness currently under Schäfer’s protection, has to testify before the International Tribunal for the Law of the Sea in Hamburg. Particularly delicate: Fiona works in the management of a Swiss shipping company and is said to be using insider knowledge to heavily incriminate her own employer. The shipping company is accused of illegally transporting toxic substances, disguised as fertilizers, to Syria, where they are used to produce toxic gas. To keep Fiona safe until the trial, Schäfer and his colleague Yannick take her into their custody. But as soon as they pick up the witness at the airport, they realize they are being followed. Through a clever diversionary maneuver, they manage to escape the pursuers. But is that enough to get Fiona to safety? The trio threatens to be discovered and the operation exposed. Is the witness playing a double game? Or is there even a leak in the ranks of their own colleagues?
Casting Director:
Deborah Congia
Commissioning Editor:
Carolin Haasis
Christoph Pellander
Costume Design:
Carola Neutze
Dialogue Editor:
Rolf Manzei
Director:
Philipp Osthus
Director of Photography:
Frank Küpper
Editor:
Tobias Peper
Executive Producer:
Daniel Hartmann
Foley Artist:
Peter Burgis
Foley Farmers
Franziska Treutler
Foley Editor:
Maxwell MacRae
Idea:
Michael Ehnert
Makeup Designer:
Samira Ghassabeh
Anna Pokrywiec
Music:
Maurus Ronner
Producer:
Björn Vosgerau
Uwe Kolbe
Production Design:
Uwe Berthold
Sound:
Kai Nührmann
Max Schmeling
Sound Designer:
Thekla Demelius
Rolf Manzei
Sound Re-Recording Mixer:
Ralph Thiekötter
Writer:
Oke Stielow
Michael Ehnert
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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