A work in constant progress (and occasional regress).
Featuring:
Hendrik Heutmann, Lars Winther
Written by:
Alexander Daus
Directed by:
Anne Maschlanka
Release Date:
April 27, 2012
Original Title:
Having Krebs
Production Companies:
IFS Internationale Filmschule Köln GmbH
Production Countries:
Germany
Ratings / Certifications:
N/A
He is a typical representative of our generation. Dissatisfied, aimless, fed up. His room is a self-created isolation cell, the computer the only thing he interacts with. His desire to understand the world leads to stagnation. Only when the internet goes down one day is he forced to confront his paralyzing indifference. He learns that his roommate will not live much longer, and the realization that stagnation also has consequences shakes his consciousness. He has no idea that the outside world is about to burst his bubble of oppressive security.
He is a typical representative of our generation: discontented and aimless. His room is a self-made cell of isolation, and he only interacts with his computer. His desire to understand the world leads to stagnation. When the Internet dies one day, he is forced to confront his paralysing apathy. When he finds out that his roommate Simon hasn't much longer to live, the awareness that stagnancy also has consequences shakes up his consciousness, so he does not realize that the outside world is about to burst his soap bubble of oppressive security.
Costume Design:
Grete Kellermann
Director:
Anne Maschlanka
Director of Photography:
Max Hüttermann
Editor:
Lucas Seeberger
Producer:
Elisabeth Feltes
Screenplay:
Alexander Daus
Sound Designer:
Lucas Seeberger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.