A work in constant progress (and occasional regress).
Original Title:
Touch & Go
Genres:
Action | Documentary | Drama | Fantasy
Production Companies:
Touch & Go Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 14
In the presence of physical danger, a teenage girl must remain calm under pressure in order to survive the flight of her life.
Art Direction:
Vanessa Smith
Assistant Sound Designer:
Ros Elise Clark
Best Boy Electric:
Katherina Raven Fleming
Camera Operator:
Angelica Perez-Castro
Cinematography:
Angelica Perez-Castro
Costume Design:
Zena Zeizet
Director:
Heather Hutton
Drone Operator:
Greg Marshall
Editor:
Alex Preston
Paige Howard
Executive Producer:
Heather Hutton
First Assistant Camera:
Zilan Wang
First Assistant Director:
Tesh Yana
Gaffer:
John-Henry Ball
Grip:
Jacob Jenny
Hair Department Head:
Amber Actaboski
Hairstylist:
Amey Cordar
Key Grip:
Blake Nelson
Line Producer:
Blakely Clarke
Location Manager:
Heather Hutton
Makeup Department Head:
Amber Actaboski
Music:
Alfredo Sirica
Musician:
Johnna Jeong
Alfredo Sirica
David Marshall Railey
Producer:
Clayton Nix
Nina Marinov
Production Assistant:
Ros Elise Clark
Production Design:
Vanessa Smith
Property Master:
Vanessa Smith
Script Supervisor:
Karen M. Cantley
Second Assistant Camera:
Kevin Yuhuan Ding
Second Assistant Director:
Porscha Dallas
Second Unit Director of Photography:
David Paul Lord
Set Decoration:
Tracy Dougherty
Sound Editor:
Pat Kicklighter
Sound Mixer:
Pat Kicklighter
Still Photographer:
Sarah Newman
Boris Martin
Stunt Coordinator:
Alessandro Folchitto
Anthony Kooser
Stunt Double:
Alexis Lord
Underwater Camera:
David Paul Lord
Jason Robbins
Writer:
Heather Hutton
Darren Usher
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.