A work in constant progress (and occasional regress).
Release Date:
February 1, 2022
Original Title:
Chine : le drame ouïghour
Alternate Titles:
China: The Uyghur Drama
China: el drama uigur
Chine : le drame ouïgour
Chiny: dramat Ujgurów
Cina: uiguri, storia di un genocidio
El drama uigur
Genres:
Documentary
Production Companies:
ARTE GEIE
Découpages
RTBF
RTS
YUZU Productions
Production Countries:
Belgium | France | Germany | Switzerland
Ratings / Certifications:
N/A
Runtime: 105
A relentless chronicle of the tragedy of the Uighurs, an ethnic minority of some eleven million people who live in the Xinjiang region of northwest China, speak a Turkic language and practice the Muslim religion. The Uighurs suffer brutal cultural and political oppression by Xin Jinping's tyrannical government: torture, disappearances, forced labor, re-education of children and adults, mass sterilizations, extensive surveillance and destruction of historical heritage.
Additional Photography:
Rocco Fasano
Antoine Védeilhé
Charles Pellegrin
Administration:
Héloĭse Jouveau du Breuil
Animation:
Paul Rodrigues
Assistant Editor:
Antoine Bahain
Vinciane Aube-Harket
Alys Andréo
Fabienne Pacher
Color Grading:
Alexandre Toumilo
Director:
François Reinhardt
Director of Photography:
François Reinhardt
Lorenz Huber
Editor:
Pierre Poyard
Executive Producer:
Fabrice Estève
Myrto Grecos
Graphic Designer:
Paul Rodrigues
Intern:
Teo Buyurgan
Claire Froës
Hugo Salzer
Original Music Composer:
Jochris Gomez
Producer:
Heike Lettau
Fabrice Estève
Myrto Grecos
Production Accountant:
Sandrine Boumendil
Grégory Namias
Production Assistant:
Margaux Fouquet
Production Director:
Alain Bastide
Guillaume Martin
Production Manager:
Hélène Ratero
Researcher:
Véronique Lambert de Guise
Sound Editor:
Théo Grand
Sound Mixer:
Théo Grand
Technical Advisor:
James Millward
Translator:
Dilnur Reyhan
Sania Khasim Duran
Xi Yu
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.