Home

Into the Wind (2022) [N/A]

Release Date:
February 10, 2022

Original Title:
Pod wiatr

Alternate Titles:
Al viento
Into the Wind

Genres:
Drama | Romance

Production Companies:
House Media Company
RE STUDIO

Production Countries:
Poland

Ratings / Certifications:
BR: 14  DE: 12  FR: 12  KR: 15  PL: 16 

Runtime: 108

Overview from TheMovieDB

She graduated from a prestigious high school in Warsaw and entered medicine in London. He works as a kitesurfing instructor at the seaside, thanks to which he combines earning money and passion. They will meet in Hel. The unusual charm of the boy makes the girl exceed her limits and enter a completely unknown world of kitesurfing, music and fun. The feeling that arises between them does not please her family or his friends. Is Ania and Michal's relationship strong enough to overcome adversities and become more than just a holiday love?

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Acting Double:
Oliwier Kostuch

Administration:
Szymon Barwiński

Assistant Costume Designer:
Zuzanna Kot

Assistant Director:
Tamara Allina

Assistant Makeup Artist:
Adriana Cięciara

Assistant Production Design:
Klara Bartold

Assistant Production Manager:
Martyna Golińczak
Maja Konopka

Camera Car:
Norbert Bernstock

Camera Operator:
Kacper Wójcicki
Michał Pukowiec
Szymon Kurzawa

Casting:
Nadia Lebik

Catering:
Mikołaj Szulc
Roman Strumiński
Alicja Szpakowska

Choreographer:
Adam Beta

Compositing Artist:
Sylwester Lipiński
Janusz Budzyn
Justyna Podrożny

Compositing Supervisor:
Tomasz Tejchman

Costume Design:
Zofia Komasa

Data Wrangler:
Krzysztof Golon

Dialogue Editor:
Sebastian Włodarczyk

Digital Intermediate:
Maciej Mika

Director:
Kristoffer Rus

Director of Photography:
Michał Pukowiec

Drone Pilot:
Filip Jurzyk
Robert Romaniuk

Editor:
Bartłomiej Piasek
Piotr Wójcik

Executive Producer:
Grzegorz Olkowski

Grip:
Marcin Bębenista
Maciej Citko
Lucjan Mleczko
Karol Ambroszczyk
Marcin Wieczorek

Health and Safety:
Wojciech Konkol

Interior Designer:
Agnieszka Bartold

Key Grip:
Norbert Bernstock

Line Producer:
Dagmara Bończyk

Makeup Department Head:
Jolanta Grzelak

Master Lighting Artist:
Mariusz Ziandarski

Music:
Łukasz Lach

Music Consultant:
Agnieszka Kulczycka
Aneta Brykalska
Dominika Czajkowska

Pipeline Technical Director:
Jonas Lindfors

Post Production Coordinator:
Bartosz Bednarz
Adrian Kujda

Producer:
Renata Czarnkowska-Listoś

Producer's Assistant:
Anna Zdrojewska

Production Design:
Agnieszka Bartold

Production Manager:
Anna Majek

Props:
Piotr Dziurny

Sound:
Łukasz Świerzawski
Robert Czyżewicz
Krzysztof Owczarek

Sound Designer:
Łukasz Świerzawski
Krzysztof Owczarek

Still Photographer:
Łukasz Bąk
Anna Włoch

Storyboard:
Artur Gołębiowski
Ireneusz Konior

Stunt Coordinator:
Maciej A. Maciejewski

Stunts:
Michał Burdan
Artur Grabowiec
Mateusz Szafrański
Dariusz Obrębski
Filip Bucki
Maciej Romanowski
Tomasz Lipski
Grzegorz Reda
Damian Majewski
Michał Pluskota

Title Designer:
Maciej Mika

Translator:
Magdalena Cedro

Underwater Camera:
Artur Zwierzchowski

VFX Supervisor:
Marcin Drabiński

Visual Effects Coordinator:
Justyna Juszczyk

Vocal Coach:
Paulina Mączka

Writer:
Julian Kijowski

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.