A work in constant progress (and occasional regress).
Release Date:
February 28, 2021
Original Title:
#WeAreDyingHere
Production Companies:
Optical Films
Production Countries:
South Africa
Ratings / Certifications:
N/A
Runtime: 25
#WeAreDyingHere chronicles the journey of three soldiers forced to survive in a war that they did not choose. As the war against women rages around them, they attempt to find solace to process their pain under the constant threat of their enemy lurking in the shadows. #WeAreDyingHere engages directly with the violent culture of harassment, abuse, rape and femicide, it is a necessary pause, an exhale and insight into the experience of living as a woman.
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Art Designer:
Daniel-Duncan Rheed
Assistant Property Master:
Jenna-Lee Keys
Associate Producer:
Nico Dekker
Rob Schermbrucker
Makkie Slamong
Marlon Parker
Boom Operator:
Sandiso Class
Cinematography:
Devin Toselli
Colorist:
Matthys Pretorius
Director:
Shane Vermooten
Editor:
Chris van der Burgh
Joe Krenzer
Electrician:
Leonard de Chambra
Jed Harris
Patrick Zakuza
Executive Producer:
Rachel Kolisi
Siya Kolisi
First Assistant Camera:
Caitlin Rollino
First Assistant Director:
Sean Pringle
Gaffer:
Lesley Manuel
Grip:
Duaen Els
Key Grip:
Craig Bekker
Location Manager:
George Randall
Makeup Artist:
Anja Rechholtz
Musician:
Babalwa Makwetu
Producer:
Bianca Vermooten
Siphokazi Jonas
Production Coordinator:
Alix Hodge
Production Designer:
Bathoni Robinson
Second Assistant Camera:
Samantha Davids
Sound Designer:
Tim Pringle
Sound Mixer:
Wayne Dodd
Special Effects Coordinator:
John Smith
Special Effects Technician:
Brendon Groenewald
Jordan Le Roux
Smith Steven
Nathan Wheatley
Visual Effects:
Wilfred de La Querra
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.