A work in constant progress (and occasional regress).
Release Date:
January 27, 2022
Original Title:
Schon tausendmal berührt
Alternate Titles:
Worauf es ankommt
Genres:
Comedy | Romance | TV Movie
Production Companies:
ARD
ARD Degeto
Lieblingsfilm
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 88
The lawyer Ella Wolf and her childhood friend Florian come from the same place but live in different worlds. He stayed in idyllic Bad Friedlingen and continues to run the organic farm of his deceased parents. For him, the modern milking machine means maximum change. Ella, on the other hand, is about to take the next step in her career in a renowned Munich law firm: one more test and she will become the youngest junior partner of all time! At her best friend's hilarious wedding party, the two meet and get closer than ever! When Ella returns to her home village six weeks later, she has two serious issues in her luggage: Firstly, she is pregnant by "Flo", which nobody but her knows yet, and secondly, she is supposed to push through a destructive construction project for an important client, which of all things is fought by Florian as the leader of a citizens' initiative.
Assistant Editor:
Sam Aron Handel
Casting Director:
Anne Hünseler
Commissioning Editor:
Carolin Haasis
Stefan Kruppa
Costume Design:
Monika Gebauer
Director:
Judith Westermann
Director of Photography:
Thorsten Harms
Editor:
Lukas Meissner
Executive Producer:
Valentina Huber
Line Producer:
Jochen Gottlöber
Tom Blieninger
Makeup Designer:
Jennifer Brünn
Alisza Pfeifer
Music:
Martina Eisenreich
Producer:
Julia Rappold
Robert Marciniak
Production Design:
Antonia Wagner
Sound:
Attila Makai
Thorsten Bolzé
Sound Designer:
Chris Rebay
Sound Re-Recording Mixer:
Heiko Müller
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.