A work in constant progress (and occasional regress).
Release Date:
September 6, 1996
Original Title:
Microcosmos : Le peuple de l'herbe
Alternate Titles:
Het leven in het gras
Microcosmos
Microcosmos - Fantástica Aventura da Natureza
Microcosmos - Il popolo dell'erba
Microcosmos - den lilla världen
Microcosmos: El universo oculto
Microcosmos: Le peuple de l’herbe
Microcosmos: O Povo da Erva
Microcosmos: People of the Grass
Microcosmos: el pueblo de la hierba
Mikrokosmos
Mikrokosmos - gräsets folk
Mikrokosmos - ruohikon kansa
Mikrokosmos – Das Volk der Gräser
Mikrokozmos
Mikrokozmosz
Mikrokozmosz - A füvek népe
Mikropasaulis
Çayırın Sakinleri
Микрокосмос
Мікрокосмос
ミクロコスモス
小宇宙
마이크로 코스모스
Genres:
Documentary
Production Companies:
Bac Films
Delta Images
France 2 Cinéma
Galatée Films
Les Productions JMH
TSR
Urania Film
Production Countries:
France | Italy | Switzerland
Ratings / Certifications:
AU: G CA: G CZ: U FI: S FR: TP GB: U IT: T JP: G KR: All NL: AL PT: M/6 US: G
Runtime: 80
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Aerial Camera:
Jean-Francois Baudelet
Claude Bouteillon
Thierry Machado
Roland Ory
Jean Claude Rémy
Assistant Camera:
Bernard Ricon
Romano Prada
Philippe Romano
Assistant Director:
Renaud Dengreville
Assistant Editor:
Pauline Casalis
Assistant Foley Artist:
Pascal Mazière
Assistant Production Manager:
Didier André
Camera Operator:
Jean-Francois Baudelet
Alain Devèz
Charlet Recors
Camera Technician:
Frédéric Costa
George Costa
Cinematography:
Claude Nuridsany
Marie Pérennou
Co-Producer:
Conchita Airoldi
Jean-Marc Henchoz
Color Assistant:
David Hamme
Color Timer:
Raymond Terrentin
Nabila Daniault
Conductor:
Christophe Guiot
Director:
Claude Nuridsany
Marie Pérennou
Director of Photography:
Thierry Machado
Editor:
Florence Ricard
Marie-Josèphe Yoyotte
Executive Producer:
Michel Fauré
Philippe Gautier
Patrick Lancelot
André Lazare
First Assistant Camera:
Michel Gallois
Alexandre Monnier
Bernard Weber
Foley Artist:
Jérôme Lévy
Grip:
Martin Boutilié
Helicopter Camera:
Jean-Francois Baudelet
Roland Ory
Jean Claude Rémy
Key Grip:
Louis Vercraene
Music Producer:
Paul Lavergne
Musician:
Marie Kobayashi
France Tarpinian
Original Music Composer:
Bruno Coulais
Pilot:
Jean Claude Rémy
Post Production Supervisor:
Patricia Lignières
Presenter:
Jacques Perrin
Producer:
Christophe Barratier
Yvette Mallet
Jacques Perrin
Production Coordinator:
Paulette Materne
Claude Morice
Catherine Pidoux
Publicist:
Nathalie Gorgon
Eva Simonet
Scientific Consultant:
Gérard Arnold
Monsieur Ansonnaud
Monsieur Durand
Luc Gomel
Dr. Michael Gries
Robert Guilbot
Hervé Guyot
Gudrun Koeniger
Jean Pierre Lumaret
Claude Missandeau
Michel Neff
Professor Oppenoorth
Leon Rogez
Professor Rodin
Jean-Pierre Vesco
Screenplay:
Claude Nuridsany
Marie Pérennou
Second Assistant Camera:
Alexandre Bon
Second Unit Director of Photography:
Hugues Ryffel
Sound:
Philippe Barbeau
Bernard Le Roux
Sound Designer:
Laurent Quaglio
Sound Engineer:
Didier Lizé
Special Effects:
Jean-Pierre Maricourt
Special Effects Assistant:
Liliane Caille
Special Effects Supervisor:
Christian Guillon
Steadicam Operator:
François Gentit
Valentin Monge
Still Photographer:
Eric Tesseydre
Gilles Tordjman
Thanks:
Dominique Ambiel
Joseph Bourdon
Pascal Imbert
Michel Flaesch
Marc Censi
Henri Landes
Jean Puech
Francois Servel
Claude Caussanel
Hubert Reeves
Unit Production Manager:
Christophe Adda
Xavier Grin
Olivier Rechou
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.