A work in constant progress (and occasional regress).
Release Date:
January 27, 2017
Original Title:
Histories of Simulated Intimacy
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 11
Histories of Simulated Intimacy is a sensory essay film that investigates the gaps in time and space produced by the technological mediation of human love and desire. Roving, dismembered voices – messages left for the filmmaker by former lovers, found voice messages made on gramophone discs – hunt for image-bodies, creating a simultaneous presence and absence: a woman carried gently by the flow of a Lazy River; the undulations of a darkened, glimmering dance party; memories and traces of the once-massive Iowan prairies. The film explores polarities such as public and private, nature and culture, near and far, bios and techne, producing a space in which technologies of intimacy, separated by historical measurements of time, can coalesce in perpetuity.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.