A work in constant progress (and occasional regress).
Release Date:
September 9, 2017
Original Title:
Octobre blanc: Sylvain Tesson sur les sommets de la révolution
Alternate Titles:
Weißer Oktober: Zu den Berggipfeln der ehemaligen Sowjetunion
Στις κορυφές της Σιβηρίας
Genres:
Documentary | TV Movie
Production Companies:
ARTE
CNC
Nomade Productions
Ushuaïa TV
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 52
French author Sylvain Tesson pays tribute to the heroes of the Russian Revolution as he crosses the Pamir mountain range in Tajikistan, which boasts a multitude of peaks at more than 7,000m. They will have the occasion to look back on some of the major figures and events of the Revolution. Lenin Peak, Revolution Peak, Karl Marx Peak, and also the October Glacier and the Soviet Officer range – all names which evoke the Revolution in these remarkable yet little-known locations. He is accompanied by two friends, author and lover of all things Russian, Cédric Gras, and the former Soviet mountaineering instructor, Nicolay Taran. Along the way, the author and his traveling companions observe the traces left by the former USSR on daily life here, and they listen to the memories of the populations who live in the Pamirs, whether Kyrgyz nomads on the high plateaus or Ismailis in the valleys. For Sylvain Tesson, the journey will serve as a source of inspiration for his future writing.
Cinematography:
Arnaud Humann
Christophe Raylat
Director:
Christophe Raylat
Editor:
Françoise Bernard
Music:
Patrick Morgenthaler
Sound:
Surat Toimastov
Sound Mixer:
Laurent Mollard
Sound Supervisor:
Jean Paul Pellegrini
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.