A work in constant progress (and occasional regress).
Release Date:
January 1, 1970
Original Title:
Così, così... più forte
Alternate Titles:
Les chercheuses de plaisir
Genres:
Drama | Thriller
Production Companies:
Universal Vision Productions
Ratings / Certifications:
N/A
Runtime: 87
Two young women, Lisa and Susan, meet and fall in love at a tennis club in Rome. The two lovers disappear into the privacy of the nightclub and its lounges with carpets and goldfish in the glasses. But their harmony is disturbed by the arrival of a man: Susan cheats on Lisa with Fred. Between jealousy and bottles of Johnnie Walker, the triangle explodes in a luxurious apartment. More elegantly, we will move from the lounge to the police station, where the officer of service will make a duty to lecture them. For the trio there is only one alternative: collective suicide in a classic car, they launch themselves at the bottom of the cliff in order to free themselves from the weight of an misunderstood existence. No one kills anyone: death is a deliberate choice in the face of the tragic absence of an alternative in a world that only condemns.
Cinematography:
Girolamo La Rosa
Director:
Luigi Petrini
Music:
Daniele Patucchi
Producer:
Angelo Pannacciò
Writer:
Angelo Pannacciò
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.