A work in constant progress (and occasional regress).
Release Date:
August 9, 1999
Original Title:
Yesterday's Tomorrows
Alternate Titles:
Barry Levinson on the Future in the 20th Century: Yesterday's Tomorrows
In the 20th Century: Barry Levinson on the Future
The Future in the 20th Century: Yesterday's Tomorrows
Yesterday's Tomorrows: The Future in the 20th Century
Genres:
Documentary | History
Production Companies:
5759 Productions
Buena Vista Television
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 99
Showtime's "In the 20th Century" is a millennium-related series of feature-length documentaries in which famous directors take on major subjects of their choosing. In the third of the six films, "Yesterday's Tomorrows," filmmaker Barry Levinson delves into what we, as Americans, thought the future would be as we traveled through the 20th century. Houses and cars of the future, the promise of technology, and the other hopes and dreams of the early part of the century gave way to the fears and anxieties brought about by the atomic age and the Hollywood disaster films that followed. Soon we wondered if we could control technology, or if it would control us. This film is by turns light-hearted and thoughtful, and rare historical and archival film, produced by government and industry, alternates with on-screen interviews with people as diverse as consumer advocate Ralph Nader, cartoonist Matt Groening, futurist Alvin Toffler, comedienne Phyllis Diller, and actor Martin Mull.
Associate Producer:
Kenn Rabin
Director:
Barry Levinson
Director of Photography:
Michael Chin
Editor:
Robert Edwards
Executive Producer:
Barry Levinson
Tom Fontana
Sandra Itkoff
Producer:
Richard Berge
Lesli Klainberg
Writer:
Kenn Rabin
Richard Berge
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.