A work in constant progress (and occasional regress).
Featuring:
Fania Rubina, Gustav Berger, Jerry Rosenberg
Written by:
Sholom Secunda
Joseph Seiden
Chaim Tauber
Directed by:
Joseph Seiden
Release Date:
May 9, 1939
Original Title:
My son
Alternate Titles:
Der Lebediker Yusem
Mayn Zundele
The Living Orphan
Ratings / Certifications:
N/A
Runtime: 97
This dramatic tale of immigrant hardship highlights some of the traumatic problems of the immigrant experience, including alcoholism, separation and poverty. The child star, Jerry Rosenberg (Ross) gives a memorable performance as the son Benny and the film introduces two European stars Fannina Rubina and Gustav Berger. The plot centers on the story of a stage couple that develops marital problems due to the demands of the theatre. The husband, whose career is failing, insists that the wife stay home to tend their young son. The subplot focuses on the plight of a woman who chooses her career over family obligations.
This dramatic tale of immigrant hardship highlights some of the traumatic problems of the immigrant experience, including alcoholism, separation and poverty. The child star, Jerry Rosenberg (Ross) gives a memorable performance as the son Benny and the film introduces two European stars Fannina Rubina and Gustav Berger. The plot centers on the story of a stage couple that develops marital problems due to the demands of the theatre. The husband, whose career is failing, insists that the wife stay home to tend their young son. The subplot focuses on the plight of a woman who chooses her career over family obligations. Set in New York in the 1930's, the film contains some interesting street shots of the Lower East Side and a marvelous scene in the Bialystoker Old Folks Home. One of the best Second Avenue Yiddish theatre domestic melodramas produced in New York City just prior to World War II, the film provides a wonderful example of the sentimental dramas created to entertain and educate the immigrant community. According to the documentation of the film, the Ohio Censorship Board demanded that one scene be eliminated in which the character Lebka says, "I should go to work for whom? For Morgan? For Rockerfeller, for Henry Ford? If the capitalists will go to work, then I will work. They don't have to work, they have plenty of money." The National Center for Jewish Film owns the original nitrate negative and all the rights and copyrights to the property. This film, together with pieces of 30 feature film titles was acquired in 1976 from the family of Joseph Seiden.
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.