A work in constant progress (and occasional regress).
Featuring:
Béla Barros, Daniel Coelho, Amélia do Carmo
Written by:
Bruno Nogueira Leonardo
Directed by:
Bruno Nogueira Leonardo
Release Date:
September 4, 2020
Original Title:
Espresso
Genres:
Romance
Production Companies:
Estúdio Almeida Fleming
Production Countries:
Brazil
Ratings / Certifications:
BR: 10
Runtime: 11
Aspiring writer Camila searches for inspiration for her next novel. What she didn't imagine, is that her own story would be being written in the process.
Aspiring writer, Camila seeks inspiration for her next novel. What she didn't realize, is that her own story was being written in the process.
Art Department Assistant:
Arthur José de Oliveira
Matheus Nogueira
Art Direction:
Mariana Stolf
Danielle Menezes
Assistant Director:
Samuel Machado
Assistant Location Manager:
Matheus Nogueira
Arthur José de Oliveira
Boom Operator:
Stella Maria
Camera Operator:
Letícia Gaio
Color Grading:
Letícia Gaio
Conceptual Illustrator:
Matheus Nogueira
Costume Assistant:
Maria Antônia
Costume Coordinator:
Danielle Menezes
Mariana Stolf
Director:
B.N.L.
Director of Photography:
Letícia Gaio
Editor:
B.N.L.
Gaffer:
Letícia Gaio
Hair Supervisor:
Beatriz Penna
Location Coordinator:
B.N.L.
Location Scout:
Mariana Stolf
Letícia Gaio
Makeup & Hair:
Maria Antônia
Adhara Batalha
Túlio Visentin
Music Score Producer:
Gustavo Barcamor
Musician:
Gustavo Barcamor
Producer:
Letícia Gaio
B.N.L.
Sound Director:
Stella Maria
Sound Editor:
Stella Maria
Sound Effects Editor:
Stella Maria
Sound Mixer:
B.N.L.
Sound Recordist:
Stella Maria
Still Photographer:
Beatriz Penna
Samuel Machado
Mariana Stolf
Writer:
B.N.L.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.