Home

Kichijoji-Muei (1991) [N/A]

Gallery Unavailable

Release Date:
January 1, 1991

Original Title:
吉祥寺夢影

Production Countries:
Japan

Ratings / Certifications:
 N/A

Runtime: 90

Overview from TheMovieDB

Tobita, Osaka, a closed down drinking area. A sign announces the closure. She has left her broken home Yoshitada (Satomi Katsuji), who had abandoned his broken family and was living in an old drinking area in Osaka, received news that his father, Kazuyoshi (Takada Wataru) Yoshitada (Satomi Katsuji), who had abandoned his broken home and lived in an old bar in Osaka, returns to Kichijoji, Tokyo for the first time in thirteen years after receiving news that his father Kazuyoshi (Takada Wataru) is in critical condition. Yoshitada (Satomi Katsuji) returns to Kichijoji after 13 years. his younger brother, his aunt and uncle, his friends and the town where he grew up. The conflict in his mind. And confrontation. Eventually, Yoshitada makes peace with his father. One night, his father quietly One night, his father quietly passes away. Will Yoshitada stay in this town? After the death of his father, the photo shop is closed. A sign announcing the closure sways in the wind.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Art Direction:
Yuri Hayashi

Director:
Koichi Onishi

Director of Photography:
Masao Nakagami
Toru Akiyama

Editor:
Koichi Onishi

Lighting Coordinator:
Akihiko Shimizu
Mitsuru Saito
Kazuya Mochizuki

Music:
Koichi Matsuda

Producer:
Koichi Onishi

Script:
Isami Iwai
Koichi Onishi

Sound:
Tetsuya Kobayashi
Hitoshi Nakamura

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.