A work in constant progress (and occasional regress).
Release Date:
April 4, 2018
Original Title:
Sex, Lies and Butterflies
Genres:
Documentary
Production Companies:
Coneflower Films Studios
PBS
Terra Mater Factual Studios
Thirteen
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 53
An exploration of the diversity of moths and butterflies from caterpillars to larvae to chrysalis to winged flight. The documentary covers camouflage and other anti-predatory tactics along with uniqueness of different species and amazing feats and colors.
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Assistant Editor:
Nathan Punwar
Associate Producer:
James F. Burke
Melanie Quinn
Colorist:
Lee Niederkofler
Coordinating Producer:
Jayne Yoon Jung Jun
Creator:
George Page
Thomas Lovejoy
Digital Producer:
Eric Olson
Director:
Ann Johnson Prum
Director of Photography:
Ann Johnson Prum
Mark Carroll
Russell Kaye
Editor:
Jim Isler
Executive Producer:
Ivo Filatsch
Sabine Holzer
Fred Kaufman
Line Producer:
Aldo Metzelaar
Music:
David Mitcham
Online Editor:
Victoria Dick
Stacey Douglass Moverley
Post Production Supervisor:
Michael Fröch
Producer:
Ann Johnson Prum
Production Manager:
Traude Botha
Sound:
Robin Klein
Sound Designer:
Stefan K. Fiedler
Jim Isler
Sound Re-Recording Mixer:
Ed Campbell
Stefan K. Fiedler
Unit Manager:
Dinah Czezik-Müller
Writer:
Janet Hess
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.