A work in constant progress (and occasional regress).
Release Date:
March 8, 2005
Original Title:
Rings
Alternate Titles:
Círculos
Kruhy
Ringe
Rings
Señales
Звонки
Genres:
Horror | Thriller
Production Companies:
Catchlight Films
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 16
Some time after the events of The Ring, a subculture of people voluntarily watch Samara Morgan's video and wait to see how close to the seven-day deadline they can get before showing it to the next person. They record everything they see and share their experiences on a secret website dedicated to the videotape. No one has ever recorded a day seven.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Camera:
Robert Lam
Joshua Reis
Associate Producer:
Rick Osako
Best Boy Electric:
Greg Brezovec
Best Boy Grip:
Jessica Spuehler
Casting:
Marisa Ross
Matthew Skrobalak
Costume Design:
Shawnelle Cherry
Director:
Jonathan Liebesman
Director of Photography:
Lukas Ettlin
Editor:
Matt C. Burnett
Sheila Moreland
First Assistant Camera:
Matthew Caudillo
First Assistant Director:
Sean Callahan
Foley Artist:
Susan Fitz-Simon
Gaffer:
Eric C. Castro
Grip:
Jose Elias Felix
Key Makeup Artist:
Emily Allison
Producer:
Arnon Manor
Jeanette Volturno
Production Design:
Jennifer Spence
Property Master:
Thomas Spence
Script Supervisor:
John C. Seaver
Second Assistant Camera:
Corey Ziemniak
Sharra Romany
Jennifer Cousins
Second Assistant Director:
Gabriel Olson
Second Unit Director:
Toby Wilkins
Second Unit Director of Photography:
Kirk Douglas
Sound Editor:
Danny Kim
Sound Mixer:
Bill V. Robbins
Storyboard Artist:
Simeon Wilkins
Visual Effects:
Toby Wilkins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.