A work in constant progress (and occasional regress).
Release Date:
June 11, 1932
Original Title:
Believe It or Not (Second Series) #11
Genres:
Documentary
Production Companies:
The Vitaphone Corporation
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 8
This entry of the series does not feature Robert Ripley, who is away gathering material on his tours. Leo Donnelly narrates various odds and ends like a church service held on a river in boats, one of the largest sculptures in the world, sand art in bottles and a man who pulls cars with his hair. This episode also has a greater amount of "critter" material: chickens learn to be aquatic thanks to a training duck, another hen adopts puppies as her own, the Australian platypus is discussed and a motorized blacksmith and we see a horse with double-hoof. Vitaphone No. 1410.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.