A work in constant progress (and occasional regress).
Release Date:
June 15, 1971
Original Title:
Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?
Genres:
Comedy | Drama
Production Companies:
Cinema Center 100 Productions
Cinema Center Films
National General Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 109
Hugely successful but impossibly neurotic songwriter Georgie Soloway is sliding into a mid-life crisis. He believes that all of his past romantic relationships have been destroyed not by his own failings but by the interference of the mysterious Harry Kellerman. Family, friends, and his psychiatrist cannot give him the help he seeks. When his father is diagnosed with a terminal illness, Georgie begins spending more and more time flying his personal aircraft, distancing himself physically, emotionally, and mentally from the real world.
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ADR Editor:
Robert M. Reitano
Assistant Art Director:
Willis Conner
Assistant Editor:
Marianna Majchrzyk
Associate Editor:
Craig McKay
Associate Producer:
Fred C. Caruso
Camera Operator:
Edward R. Brown
Carpenter:
Carlos Quiles
Casting:
Shirley Rich
Costume Design:
Anna Hill Johnstone
Director:
Ulu Grosbard
Director of Photography:
Victor J. Kemper
Editor:
Barry Malkin
First Assistant Director:
Peter R. Scoppa
Gaffer:
Richard Quinlan
Hairstylist:
William A. Farley
Key Grip:
James Finnerty
Location Manager:
Robert Barth
Makeup Artist:
Dick Smith
Original Music Composer:
Shel Silverstein
Producer:
Herb Gardner
Ulu Grosbard
Production Accountant:
Ellie Linas
Production Design:
Harry Horner
Production Manager:
Fred C. Caruso
Property Master:
Joseph M. Caracciolo
Scenic Artist:
Stanley Cappiello
Screenplay:
Herb Gardner
Script Supervisor:
Sidney Gecker
Set Decoration:
Leif Pederen
Set Dresser:
Richard Adee
Sound:
Jack C. Jacobsen
Sound Editor:
John Strauss
Still Photographer:
Muky
Transportation Captain:
James Fanning
Wardrobe Supervisor:
George Newman
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.