A work in constant progress (and occasional regress).
Release Date:
December 10, 2021
Original Title:
Жили двенадцать разбойников
Alternate Titles:
ЖИЛИ ДВЕНАДЦАТЬ РАЗБОЙНИКОВ
Жили 12 разбойников
Край земли
Край земли, или Жили двенадцать разбойников
Край земли, или жили 12 разбойников
Genres:
Documentary
Production Companies:
Passenger Pictures Studio
Production Countries:
Russia
Ratings / Certifications:
N/A
Runtime: 52
Gena Chudnenko was born in prison. He also returned there as a teenager-an orphanage worker. And the guy would have had a typical fate for an orphanage: "He stole, drank, went to prison..." if he hadn't started building a temple in the Gene colony. And a miracle happened: a guy with no secondary education built a huge temple according to all the canons of ancient Russian architecture! Since then, Hieromonk Gerontius has built two wooden monasteries of rare beauty and several amazing wooden temples. And most importantly, he brought dozens of ex-cons to God. The author of the film tries to answer the question "how is this possible?", revealing the character of the hero.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.