A work in constant progress (and occasional regress).
Release Date:
May 12, 1992
Original Title:
Phone
Alternate Titles:
Phone Tap
Genres:
Thriller
Production Companies:
Cowboy Films
Production Countries:
United States of America
Ratings / Certifications:
GB: 18
Runtime: 31
One late Saturday night In Los Angeles a phone call embroils two couples in an uncanny stalking match over a mutual object of desire, a rare bacon and egg Swatch watch.
Adaptation:
Jillian Palethorpe
Sparky Green
Art Designer:
Graham Humphreys
Assistant Editor:
Farzana Ahmad
Best Boy Grip:
Ryan Beachkofski
Boom Operator:
Richard Geerts
Casting:
Rosemary Welden
Co-Producer:
Georgina Lowe
Skot Bright
Costume Design:
Scarlet King
Costumer:
Aura De La Fuente
Craft Service:
Michelle Gan
Director:
Tim Pope
Director of Photography:
Tom Richmond
Editor:
Peter Goddard
Executive Producer:
Camille Taylor
Tim Pope
Lisa Bryer
First Assistant Camera:
Amy Hobby
First Assistant Director:
Peter Kohn
Gaffer:
Shaun Madigan
Idea:
Tim Pope
Key Grip:
Jim Kwiatkowski
Location Manager:
Marc Lasko
Makeup & Hair:
Angela Levin
Mixing Engineer:
De Lane Lea
Clive Pendry
Hugh Strain
Musician:
John Parricelli
Simon Etchell
Original Music Composer:
Stephen W. Parsons
Francis Haines
Producer:
Lisa Bryer
Producer's Assistant:
Sarah Case
Production Assistant:
Josh Robertson
Darius Carter
Meagan Shapiro
Alex Wright
Derek Bartole
Brian Weber
Production Design:
Martin Lasowitz
Production Manager:
Mariska Leyssius
Props:
Rich Robinson
Script Supervisor:
Arlene Johnson
Second Assistant Camera:
Steven Meizler
Second Assistant Director:
Sholto J. Roeg
Set Decoration:
Carolyn Cartwright
Sound Mixer:
Patrick Hanson
Still Photographer:
Kimberly Wright
Swing:
Troy Davis
Thanks:
Ryan Hedgecock
Neil Young
Elliot Roberts
Vocals:
Ingrid Schroeder
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.