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Sweet Navidad (2021) [G]

Featuring:
Camila Banus, Mark Hapka, Melissa Marty

Written by:
Cristina Boada

Directed by:
Brittany Underwood


Release Date:
December 17, 2021

Original Title:
Sweet Navidad

Alternate Titles:
A Christmas & Postre
A Pastry Shop Christmas

Genres:
Comedy | Drama | Romance | TV Movie

Production Companies:
MarVista Entertainment
The Ninth House

Production Countries:
United States of America

Ratings / Certifications:
SE: 11  US: G 

Runtime: 88

Overview from TheMovieDB

A pastry chef dreams of opening her own dessert shop; she is paired with another chef for a grand event during which they must learn from one another and eventually come together to create a menu in time for Christmas.

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Overview from Open Movies

A pastry chef, dreams of opening her own postre shop. Being paired with another chef for a grand event they have to learn from one another and eventually come together to create a truly inspired menu in time for Christmas.

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Rankings and Honors

Sweet Navidad (2021) on IMDb
Internet Movie Database 5.8/10

Performers

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Production

Art Direction:
Molly Saito

Co-Executive Producer:
Sarah E. Gutierrez

Costume Design:
Isabel Mandujano

Director:
Brittany Underwood

Director of Photography:
Jordi Ruiz Masó

Editor:
Don Money

Executive Producer:
Hannah Pillemer
Fernando Szew
Marianne C. Wunch

Key Makeup Artist:
Jacqueline Holden

Makeup Department Head:
Veronica Rodarte

Music:
Pancho Burgos-Goizueta

Producer:
Autumn Federici
Jake Helgren

Production Design:
Fernando Valdes
Lawrence Humphreys

Writer:
Cristina Boada

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.