A work in constant progress (and occasional regress).
Release Date:
August 26, 2022
Original Title:
Laitapuolen hyökkääjä
Genres:
Drama
Production Companies:
Solar Films
Production Countries:
Finland
Ratings / Certifications:
FI: K-16
Runtime: 98
Temporarily homeless Jarna is in the deepest trouble of his life. Debtors have come to collect old drug debts and Jarna is given 24 hours to pay up, setting off a frantic, amphetamine fueled battle against time. Manic speed, fear of killers on his tail, paranoia and self-loathing over old wrongs eventually lead to a traffic accident. Jarna can no longer escape, his pace slows and he is on the verge of giving up. The moment has come when a near-lifetime of running must come to an end.
"B" Camera Operator:
Jouko Piipponen
Book:
Marko Lempinen
Boom Operator:
Antti Pöntinen
Colorist:
Marko Terävä
Costume Design:
Riitta-Maria Vehman
Digital Imaging Technician:
Tuomas Kaisti
Director:
Aleksi Mäkelä
Director of Photography:
Pini Hellstedt
Editor:
Kimmo Taavila
Executive Producer:
Ilkka Kilpimaa
Mika Anttonen
Timo Everi
First Assistant Camera:
Andrus Prikk
First Assistant Director:
Mika Purola
Foley Artist:
Vili Laitinen
Gaffer:
Karri Pöykiö
Grip:
Riku Roimu
Lighting Technician:
Atte Pulkkinen
Juho Jouppila
Line Producer:
Maria Kaurismäki
Makeup Designer:
Jenni Aejmelaeus-Pyysing
Online Editor:
Ari Rusanen
Original Music Composer:
Janne Puurtinen
Producer:
Jukka Helle
Risto Salomaa
Markus Selin
Production Design:
Pirjo Rossi
Production Sound Mixer:
Sauli Jouttijärvi
Script Supervisor:
Katariina Korjus
Second Assistant Director:
Melissa Markki
Sound Designer:
Pekka Karjalainen
Sound Editor:
Pekka Karjalainen
Tiia Vestola
Sound Re-Recording Mixer:
Pekka Karjalainen
Still Photographer:
Laura Mainiemi
Writer:
Mikko Kouki
Petja Lähde
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.