A work in constant progress (and occasional regress).
Release Date:
July 15, 2011
Original Title:
Manila Kingpin: The Asiong Salonga Story
Alternate Titles:
Manila Kingpin
Manila Kingpin - Tagalog
Genres:
Action | Crime | Drama
Production Companies:
Scenema Concept International
Viva Films
Production Countries:
Philippines
Ratings / Certifications:
PH: R-13
Runtime: 116
Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.
Art Direction:
Mona Soriano
Associate Producer:
Joven Tan
Leonard Villalon
Maylyn Villalon-Enriquez
Cinematography:
Carlo Mendoza
Costume Design:
Joel Bilbao
Syrel Lopez
Director:
Tikoy Aguiluz
Gary dela Cruz
Editor:
Jason Cahapay
Ryan Orduna
Mirana Medina-Bhunjun
Executive Producer:
Elaine Lozano
Music:
Jessie Lasaten
Production Design:
Fritz Silorio
Mona Silorio
Set Decoration:
Armando Raysag
Writer:
Roy Iglesias
Rey Ventura
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.