A work in constant progress (and occasional regress).
Release Date:
March 31, 2006
Original Title:
Slither
Alternate Titles:
Criaturas Rastreras
Criaturas rastreras
Gmizavci
La plaga
Ljigavci
Parasita
Slither - criaturas rastreras
Yaratıklar
Šlykštyne
スリザー
到处游荡
魔虫口入
魔虫滑滑
魔蟲口入
Genres:
Comedy | Horror | Science Fiction
Production Companies:
Brightlight Pictures
Gold Circle Films
Slither Productions
Strike Entertainment
Production Countries:
Canada | United States of America
Ratings / Certifications:
AU: MA15+ CA: 18A CH: 16 DE: 16 FR: 12 GB: 15 IE: 15A KR: 18 NL: 16 NZ: R16 US: R
Runtime: 95
A small town is taken over by an alien plague, turning residents into zombies and all forms of mutant monsters.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Animator:
David Alexander
3D Artist:
John Barrigar
ADR Mixer:
Francisco Koch
ADR Recordist:
Jose R. Castellon
ADR Supervisor:
Deni King
Accountant:
Katie Baker
Additional Camera:
Glen A. Dickson
Additional Grip:
Paul Birch
Animal Wrangler:
Kyle Doig
Animation Director:
Steward Burris
Animatronics Designer:
Taku Dazai
Armorer:
Rob Fournier
Art Department Coordinator:
Doris Deutschmann
Art Direction:
Michael N. Wong
Assistant Art Director:
John Marcynuk
Assistant Chef:
Laura Arcangeli
Assistant Costume Designer:
Debbie Tallman
Assistant Craft Service:
Robin Auckland
Assistant Editor:
Gary Lam
Assistant Location Manager:
Shane Lennox
Assistant Makeup Artist:
Megan Harkness
Assistant Property Master:
Wes Hamby
Assistant Sound Editor:
Kris Casavant
Associate Producer:
Jonathan Shore
Best Boy Electric:
Tom Kolafa
Best Boy Grip:
Stefan Burianyk
Boom Operator:
Mark Noda
CG Supervisor:
Eric Clement
Camera Trainee:
Joshua Kjorven
Carpenter:
Robert Foreman
Casting Associate:
Colleen Bolton
Co-Producer:
Jeff Levine
Color Timer:
Arthur Montreuil
Compositing Supervisor:
Chris Holmes
Compositor:
Barb Benoit
Compositors:
Rachel Wyn Dunn
Conductor:
Allan Wilson
Construction Buyer:
Michael Corrado
Construction Coordinator:
Patrick Latarius
Construction Foreman:
Tavis Gogal
Costume Design:
Patricia Hargreaves
Costume Supervisor:
Keith A. Parent
Costumer:
Charron Hume
Craft Service:
Kelly Fry
Creature Design:
Danelle Vierkant
Dialogue Coach:
Tony Alcantar
Dialogue Editor:
Philip Hunter
Digital Colorist:
Drake Conrad
Digital Compositor:
Douglas Aiken
Digital Effects Supervisor:
Adam de Bosch Kemper
Digital Supervisor:
Matthew Talbot-Kelly
Director:
James Gunn
Director of Photography:
Gregory Middleton
Dolby Consultant:
Matt Kunau
Dolly Grip:
Mark Brown
Driver:
Ken Atherton
Editor:
John Axelrad
Executive In Charge Of Post Production:
Joanna L. Jones
Executive Producer:
Scott Niemeyer
Marc Abraham
Norm Waitt
Thomas A. Bliss
Executive Visual Effects Producer:
Aaron Dem
Executive in Charge of Finance:
Chris Doss
Extras Casting:
James Forsyth
Finance:
Ken Dhaliwal
First Assistant Camera:
Geraldine Brezca
First Assistant Director:
Bryan C. Knight
First Assistant Makeup Artist:
Jennifer Powell-Folk
Foley Artist:
Maureen Murphy
Foley Editor:
Dario DiSanto
Foley Mixer:
Jean Tejkel
Gaffer:
Stewart Henshaw
Generator Operator:
Gilbert Jamault
Graphic Designer:
Carlos Bolbrugge
Greensman:
Rick Kramer
Grip:
Dave Brown
Head of Production:
Francois Garcia
Key Hair Stylist:
Danna Rutherford
Key Makeup Artist:
Monica Huppert
Layout:
Frank Turcotte
Lead Animator:
Emma Pittson
Lead Painter:
Michael Sullivan
Lead Set Dresser:
Michael Jovanovski
Line Producer:
Shawn Williamson
Location Manager:
Greg Jackson
Location Production Assistant:
Michael Alderking
Location Scout:
Joel Hurley
Makeup Effects:
Tannis Hegan
Matte Painter:
Allan Walker
Music Editor:
Hal Beckett
Music Supervisor:
Sarah Webster
Orchestrator:
Tim Williams
Original Music Composer:
Tyler Bates
Paint Coordinator:
Deborah Morriss
Payroll Accountant:
Shannon Harron
Playback Coordinator:
Byron Drinkle
Post Production Accountant:
Roberta L. Asman
Post Production Assistant:
Aynsley Baldwin
Post Production Coordinator:
Aisla Webster
Producer:
Eric Newman
Paul Brooks
Dan Lee West
Production Coordinator:
Trevor Westerhoff
Carol Hocking
Production Design:
Andrew Neskoromny
Production Supervisor:
Rick Hannigan
Property Master:
David Dowling
Prosthetics:
Joe Colwell
Publicist:
Susan Steeno
Rigging Gaffer:
Tracey Chapman
Rigging Grip:
Steve Larsen
Script Supervisor:
Stephanie Rossel
Sculptor:
Kelly Golden
Second Assistant Director:
Alexis Hinde
Second Unit Director:
Scott J. Ateah
Security Coordinator:
Larry Sostad
Senior Visual Effects Supervisor:
Jeffrey Kleiser
Set Buyer:
Sergio Lavilla
Set Decoration:
Shane Vieau
Set Decoration Buyer:
Judi Stackaruk
Set Dresser:
Michael Church
Sound Assistant:
Ian Jones
Sound Designer:
Tim Walston
Sound Effects Editor:
Mike Paprocki
Sound Mixer:
Nerses Gezalyan
Sound Re-Recording Mixer:
Kevin Belen
Sound Supervisor:
Anke Bakker
Special Effects Coordinator:
John Sleep
Stand In:
Robert Musnicki
Standby Painter:
Helen Menyes
Steadicam Operator:
Marty McInally
Still Photographer:
Chris Helcermanas-Benge
Storyboard Artist:
Ling Yang
Stunt Coordinator:
Scott J. Ateah
Stunts:
John Ulmer
Mike Dopud
Owen Walstrom
Ryan Ennis
Corbin Fox
Ed Anders
Kim Howey
Jennifer Mylrea
Brett Armstrong
Shawn Stewart
Rob Wilton
Systems Administrators & Support:
John Brake
Technical Supervisor:
Jeff Baker
Third Assistant Director:
Karin Behrenz
Transportation Captain:
Ron Buyck
Transportation Co-Captain:
Gordon Alyward
Transportation Coordinator:
John Johnston
Truck Costumer:
Lauren M. Walker
Unit Production Manager:
Brad Van Arragon
Unit Publicist:
Todd Zeller
Video Assist Operator:
Andrew Pedley
Visual Effects Compositor:
Ann-Marie Blommaert
Visual Effects Editor:
Landon Medeiros
Visual Effects Producer:
Louise Barkholt
Visual Effects Production Assistant:
Audrey Price
Visual Effects Production Manager:
John Bozzalla
Visual Effects Supervisor:
Jon Campfens
Writer:
James Gunn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.