Derailed (2005) [R|NR]

Release Date:
November 11, 2005

Original Title:
Derailed

Alternate Titles:
Fara control
Fatalni preljub
Izbačeni iz koloseka
Subete wa sono asa hajimatta
Usodna prevara
Vykol'ajení - Hra s neverou

Genres:
Drama | Thriller

Production Companies:
Miramax
Patalex V Productions Limited
The Weinstein Company
di Bonaventura Pictures

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AT: 16  AU: MA15+  DE: 16  FR: 12  GB: 15  GR: 15  HU: 18  IE: 15  IT: T  NL: 16  RU: 16+  US: R|NR 

Runtime: 108

He never saw it coming.

When two married business executives having an affair are blackmailed by a violent criminal, they are forced to turn the tables on him to save their families.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Mixer:
Jamie Roden

ADR Recordist:
Julie Altus

ADR Voice Casting:
Abigail Barbier

Additional Second Assistant Camera:
Zachary Gannaway

Additional Still Photographer:
Oliver Upton

Additional Third Assistant Director:
Jessica Hurles-Laws

Art Department Assistant:
Gwen Murray

Art Department Coordinator:
Roxy Konrad

Art Direction:
Mark Raggett

Assistant Accountant:
Jane Steele

Assistant Art Director:
Nina Ross

Assistant Camera:
Ed Jones

Assistant Dialogue Editor:
Conor Mackey

Assistant Editor:
William Blunden

Assistant Location Manager:
Martin L. Hudson

Assistant Production Coordinator:
Evie Bergson

Assistant Property Master:
David J. Chamerski

Assistant Sound Editor:
Steve Mayer

Associate Producer:
Jeremy Steckler

Best Boy Grip:
Fred Folmer

Boom Operator:
Blair Scheller

Camera Intern:
Joe Carpita

Camera Operator:
George Kohut

Camera Trainee:
Darren Vincent

Carpenter:
Warren Browne

Casting:
Avy Kaufman
Carrie Hilton

Casting Assistant:
Tamara-Lee Notcutt

Clapper Loader:
Kate Filby

Co-Producer:
Mark Cooper

Conductor:
Edward Shearmur

Construction Coordinator:
Colin H. Fraser

Contact Lens Technician:
Jemma Scott-Knox-Gore

Costume Assistant:
Michael Weldon

Costume Design:
Natalie Ward

Costumer:
Karan Doherty

Craft Service:
Assata Amoaku

Daily Grip:
Luke Myslowski

Dialect Coach:
Judy Dickerson

Digital Compositor:
Pablo Renedo

Digital Intermediate:
Andrew Dearnley

Digital Intermediate Producer:
Alex Panton

Director:
Mikael Håfström

Director of Photography:
Peter Biziou

Draughtsman:
Tim Browning

Dressing Prop:
Tristan Carlisle-Kitz

Driver:
Michael R. Cairo

Editor:
Peter Boyle

Electrician:
Aaron Keating

Executive Producer:
Jonathan Gordon
Bob Weinstein
Harvey Weinstein

Extras Casting:
Joan Philo

Extras Casting Assistant:
Enero

First Assistant Accountant:
Anne Marie Gormley

First Assistant Camera:
Paul DeMarte

First Assistant Director:
Sean Guest

Floor Runner:
Lucy Thomas

Focus Puller:
Robert Dibble

Foley Artist:
Felicity Cottrell
Jack Stew

Foley Editor:
Grahame Peters

Foley Mixer:
Mark Lafbery

Gaffer:
Peter Bloor

Graphic Designer:
Laura Dishington

Grip:
Jaime Dawkins

Hair Designer:
Dorka Nieradzik

Hairstylist:
Carmel Jackson
Jenny Sharpe
Tina Brown
Kay Georgiou

Key Hair Stylist:
Dominic Mango

Leadman:
Scott Troha

Lighting Technician:
Neil Munro

Location Assistant:
Raul Esparza III

Location Manager:
Martin Joy

Makeup Artist:
Carmel Jackson
Jenny Sharpe
Jean Ann Black

Makeup Designer:
Dorka Nieradzik

Music Editor:
Daryl B. Kell

Musician:
Andre LaFosse

Negative Cutter:
Steve Farman

Novel:
James Siegel

Orchestrator:
Bruce Babcock

Original Music Composer:
Edward Shearmur

Painter:
Perry Bell

Payroll Accountant:
Jason Richert

Post Production Coordinator:
Hannah Godwin

Producer:
Lorenzo di Bonaventura

Production Assistant:
Yusefu Bangura

Production Coordinator:
Margaret J. Orlando

Production Design:
Andrew Laws

Production Executive:
Jake Myers

Production Intern:
Amanda Lensing

Production Office Assistant:
Nicholas Carranza

Production Runner:
Bertie Spiegelberg

Production Secretary:
Heather Sharpe

Property Master:
Gordon Fitzgerald

Scenic Artist:
Howard Weaver

Screenplay:
Stuart Beattie

Script Supervisor:
Susanna Lenton

Second Assistant Camera:
Dan Schroer

Second Assistant Director:
James Andrew Haven

Second Second Assistant Director:
Kwame Amoaku

Set Costumer:
Heather Pollock

Set Decoration:
Daniel B. Clancy
Marina Morris

Set Medic:
Ross L. Kulma

Set Production Assistant:
Tom Nicoll

Sound Assistant:
Steve Hancock

Sound Re-Recording Mixer:
Tim Cavagin
Steve Single

Sound Recordist:
John Midgley

Special Effects Assistant:
Ryan Evans

Special Effects Coordinator:
Don Parsons

Special Effects Supervisor:
Stuart Brisdon

Special Effects Technician:
Steve Benelisha

Stand In:
Aimee Denaro

Still Photographer:
Charles S. Hodes

Storyboard Artist:
Temple Clark

Stunt Coordinator:
Glenn Marks
Rick LeFevour

Stunt Double:
Emma Mac
James Grogan

Supervising Armorer:
Nick Jeffries

Supervising Sound Editor:
Nigel Mills

Third Assistant Director:
Scott Bunce

Title Designer:
Olaf Wendt

Transportation Co-Captain:
Joe Vanis

Unit Production Manager:
Demetra Diamantopoulos

Unit Publicist:
Linda Gamble

Visual Effects Producer:
Tamsin Blanchard

Visual Effects Supervisor:
Lester Dunton
Simon Frame

Wardrobe Supervisor:
Liza Bracey

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.