A work in constant progress (and occasional regress).
Release Date:
December 7, 1990
Original Title:
Whispers
Alternate Titles:
Dean R. Koontz's Whispers
Katherine, o Último Suspiro
Kauhun Kuiskaus
Psithiroi
Susurros de Muerte
Suttogások
Viskningar
Genres:
Horror | Mystery | Thriller
Production Companies:
Cinemars Productions
Cinépix Film Properties (CFP)
ITC Entertainment
Production Countries:
Canada | United Kingdom | United States of America
Ratings / Certifications:
N/A
Runtime: 100
A woman is stalked by a psychopathic killer. She eventually kills him, only for the man to show up again, this time sane and without any knowledge of the attacks. The police don't believe her, but one detective agrees to look into it.
ADR Editor:
Dominique Boisvert
Adaptation:
Don Carmody
Art Direction:
Donna Noonan
Assistant Accountant:
Jim Kontos
Gregory Dunning
Assistant Camera:
Mathieu Décary
Assistant Editor:
Sylvie Madore
Assistant Property Master:
Richard Carrière
Assistant Sound Editor:
Mathieu Beaudin
Associate Producer:
Jeffrey Barmash
Best Boy Electric:
Alex Amyot
Best Boy Grip:
Stephane DeErnsted
Boom Operator:
François Perrier
Camera Operator:
Bert Tougas
Casting:
Andrea Kenyon
Jo-Ann Gregory
Lucinda Sill
Annelise Collins
Chief Lighting Technician:
Jean Courteau
Color Timer:
Michel Proulx
Continuity:
Christine Lalande
Costume Design:
Mary E. McLeod
Dialogue Editor:
Jacqueline Carmody
Director:
Douglas Jackson
Director of Photography:
Peter Benison
Draughtsman:
Raymond Larose
Dresser:
Marie McLaughlin
Editor:
Jacques Jean
Electrician:
Paul Viau
Executive Producer:
André Link
First Assistant Camera:
Nicolas Marion
First Assistant Director:
Michael A. Williams
Foley:
Serge Godier
Jean-Pierre Bissonnette
Foley Recordist:
Bernard Messier
Grip:
Christian Chabot
Hairstylist:
Richard Hansen
Key Grip:
Yvon Boudrias
Location Manager:
Jennifer Jonas
Location Sound Recordist:
Gabor Vadnay
Makeup Artist:
Gillian Chandler
Music Editor:
Jacqueline Carmody
Novel:
Dean R. Koontz
Original Music Composer:
Fred Mollin
Producer:
Don Carmody
John Dunning
Production Accountant:
Christina Kontos
Production Coordinator:
Jean Gerin
Production Design:
Charles L. Dunlop
Production Manager:
Manon Bougie
Property Master:
Charles Bernier
Screenplay:
Anita Doohan
Script Supervisor:
Jackie Saunders
Second Assistant Camera:
Claude Beauchamp
Second Assistant Director:
Richard Friedman
Set Dresser:
Abe Lee
Mary Lynn Deachman
Ken Meany
Sound Effects Editor:
Guy Pelletier
Sound Re-Recording Mixer:
Michel Charron
Special Effects Assistant:
Edward French
Special Effects Makeup Artist:
Joe Blasco
Special Effects Supervisor:
Jacques Godbout
Special Effects Technician:
Yvon Charbonneau
Steadicam Operator:
David Franco
Still Photographer:
Philippe Bossé
Storyboard Artist:
Luc Savoie
Stunt Coordinator:
David Rigby
Stunts:
Richard Adams
Norma Jean Jones
Jean-Guy Normand
David Rigby
Supervising Producer:
Irene Litinsky
Swing:
Guy Blouin
John Fredericks
Third Assistant Director:
Sandy McGiffert
Transportation Coordinator:
Joe Sanchez
Unit Manager:
Steven Woloshen
Wardrobe Master:
John Stowe
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.