A work in constant progress (and occasional regress).
Release Date:
December 9, 1994
Original Title:
Disclosure
Alternate Titles:
叛逆性骚扰
披露
败露
Genres:
Crime | Drama | Thriller
Production Companies:
Baltimore Pictures
Constant c Productions
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: R18+ BR: 18 CZ: 15+ DE: 12 ES: 18 FI: K-14 FR: 10 GB: 18 GR: 16 HU: 18 IE: 18 KR: 19 NL: 12 PT: M/16 US: R
Runtime: 128
A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Robert Guastini
ADR Supervisor:
Michele Perrone
Animation:
Rob Coleman
Art Direction:
Richard Toyon
Charles William Breen
Assistant Chief Lighting Technician:
Scott Fieldsteel
Stephen Johnstone
Assistant Editor:
Mark Daily
Associate Editor:
Blair Daily
Associate Producer:
Patricia Churchill
Best Boy Grip:
Scott Hillman
Boom Operator:
Gary Thomas
Camera Operator:
Michael St. Hilaire
Casting:
Ellen Chenoweth
Casting Associate:
Debra Zane
Chief Lighting Technician:
Patrick Murray
Co-Producer:
Andrew Wald
Color Timer:
Bob Kaiser
Construction Coordinator:
Marvin Salsberg
Construction Foreman:
John Hoskins
Costume Design:
Gloria Gresham
Craft Service:
Ronald E. Hairston
Dialogue Editor:
William Dotson
Digital Compositor:
Greg Maloney
Thomas Rosseter
Director:
Barry Levinson
Director of Photography:
Tony Pierce-Roberts
Editor:
Stu Linder
Executive Producer:
Peter Giuliano
First Assistant "B" Camera:
Cal Roberts
First Assistant Camera:
Jeff Hand
First Assistant Director:
Kate Davey
Foley Artist:
Vince Nicastro
Gregg Barbanell
Foley Editor:
Jeff Vaughn
Foley Mixer:
Eric Thompson
Hairstylist:
Stephen Robinette
Key Grip:
John Janusek
Leadman:
Mark Woods
Location Manager:
John Panzarella
Makeup Artist:
Cheri Minns
Music Editor:
James Flamberg
Negative Cutter:
Mo Henry
Novel:
Michael Crichton
Original Music Composer:
Ennio Morricone
Post Production Supervisor:
Blair Daily
Producer:
Barry Levinson
Michael Crichton
Production Accountant:
Kathy Petty
Production Design:
Neil Spisak
Production Sound Mixer:
Steve Cantamessa
Property Master:
Sean Mannion
Rigging Gaffer:
Richard Smock
Screenplay:
Paul Attanasio
Script Supervisor:
Julie Pitkanen
Second Assistant Director:
Shery Blanc
Second Second Assistant Director:
Julie Herrin
Set Costumer:
Rudolph Garcia
Adrienne Manhan
Mitchell Ray Kenney
Set Decoration:
Garrett Lewis
Sound Effects Editor:
Tim Gedemer
David Farmer
Ann Scibelli
Ricardo Broadus
Paul Menichini
Sound Re-Recording Mixer:
Ken Teaney
Randy Thom
Lora Hirschberg
William Freesh
Special Effects:
Morgan Guynes
Jeff Frink
Steve Galich
Special Effects Supervisor:
Steve Galich
Standby Painter:
Francis N. 'Lucky' Costello
Steadicam Operator:
Bob Gorelick
Still Photographer:
Brian Hamill
Stunts:
Michael Runyard
Jeff Joy
Sandy Berumen
Supervising Dialogue Editor:
Cathie Speakman
Supervising Sound Editor:
Harry Cohen
Marc Fishman
Transportation Coordinator:
Bill M. Puluti
Unit Production Manager:
Patricia Churchill
Unit Publicist:
Spooky Stevens
Visual Effects Art Director:
TyRuben Ellingson
Visual Effects Editor:
Bill Kimberlin
Visual Effects Producer:
Kim Bromley
Visual Effects Supervisor:
Eric Brevig
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.