A work in constant progress (and occasional regress).
Release Date:
November 5, 2021
Original Title:
16-й
Genres:
Comedy
Production Companies:
Aurum Production
Paritet
Production Countries:
Russia
Ratings / Certifications:
RU: 18+ US: NC-17
Runtime: 123
In 2016, Donald Trump became president of the United States, which came as a surprise to many voters. Public discontent with the outcome of the vote has given rise to many versions of what happened, one of which is the external interference of hackers from Russia. American intelligence agencies are entering into a real confrontation with the Russian "troll factory" — talented hackers who influence the global news agenda, shape public opinion and interfere in the internal affairs of the United States. But who is really hiding behind the resonant cyberattacks?
Actor's Assistant:
Yekaterina Yelizova
Casting Director:
Olga Ovcharenko
Color Grading:
Sergey Lukov
Costume Design:
Mariya Morozova
Director:
Andrey Korshunov
Director of Photography:
Edgar Zhamgaryan
Dresser:
Kristina Tvorogova
Editor:
Vladimir Bezzubchenko
Executive Producer:
Aleksandr Koldakov
Irina Zaitseva
First Assistant Director:
Nataliya Yurkova
Sergey Kuksov
Makeup Artist:
Vasilisa Soldatova
Music:
Sergey Shnurov
Vitaly Mukanyaev
Post Production Producer:
Genrikh Ken
Producer:
Sergey Scheglov
Production Design:
Igor Panyushkin
Second Assistant Director:
Anastasiya Reut
Songs:
Sergey Shnurov
Sound Designer:
Vasiliy Dmitriev
Sound Effects:
Sergey Belik
Sound Engineer:
Firs Mikhaylov
Aleksandr Panchenko
Stunt Coordinator:
Oleg Botin
Aleksandr Zagulyayev
Stunts:
Aleksandr Pangaev
Yefim Osipov
Pavel Bogomolov
Denis Shchepin
Aleksandr Filaretov
Aleksandr Lapshov
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.