A work in constant progress (and occasional regress).
Release Date:
June 20, 2020
Original Title:
Happy Ending
Genres:
Drama
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 15
A taciturn Zamboni driver finds comfort in his work, preferring the company of his icy rink to other people. When his shift is suddenly called off one day, he grapples with his newfound freedom by following a discarded coupon to an underground massage parlor.
Art Department Assistant:
Ada Gao
Xinyu Gu
Amira Stone
Vincent Huang
Art Direction:
Yiru Chen
Boom Operator:
Zuizia Czemier
Casting:
Ryan Harrison
Catering:
Tiffany Bryant
Joelle Yu
Co-Producer:
Elliot Gong
Hannah Swayze
Colorist:
Colton Fordyce
Director:
Mei Chang Liu
Director of Photography:
FanChao Meng
Dolly Grip:
Jack Davis
Driver:
Jack Liu
Editor:
Colton Fordyce
Executive Producer:
Lio Jiangfeng
Cai Zhichao
Hu Wenli
Tang Bin
Jiang Huabing
Joey
Zhang Xiaobao
Wang Shengli
Wang Guoping
Hou Jonlong
Fang Min
First Assistant Camera:
Xiaoyu Chen
First Assistant Director:
Nisa Neza
Gaffer:
Shi-Chien Wei
Grip:
Tannie Xin Tang
Kevin Lee
Nicole Velez
Joey Lok
Trevor Weng
Key Grip:
Alexis H.J. Kim
Makeup Artist:
Tanzhi Liu
Other:
José BenjamÃn Escobar
Johann Sebastian Bach
Jason Park
Zoey Gong
Producer:
Tiffany L. Chen
Production Assistant:
Casey Ruiz
Tiantian Chen
Cheri Jia
Dong Cha
Christina Tucker
Production Designer:
Baylee Brown
Niameng Guo
Noa Ryan
Script Supervisor:
Rui Mo
Second Assistant Camera:
Jadzia Erskine
Second Assistant Director:
Ryan Harrison
Sound Designer:
Romain Sturma
Sound Editor:
Camille Thomas
Sound Mixer:
Miguel Kevin Pineda
Romain Sturma
Still Photographer:
Emily Gurland
Jiaqi Liu
Unit Production Manager:
John Jiang
Evelyn Chen
Chris Lin
Wardrobe Coordinator:
Baylee Brown
Writer:
Mei Chang Liu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.