A work in constant progress (and occasional regress).
Release Date:
October 2, 1998
Original Title:
Antz
Alternate Titles:
Antz - Muurahaizet
Antz - Was krabbelt da?
Avodut Nemalim
Chianchvelebi
FormigaZ
Fourmiz
Hormigaz
Hormiguitas
Mravci
Mravi
Mravljinec Z
Qarışqa Z
Semut yang
Zipelgad
แอ๊นซ์ เปิดโลกใบใหญ่ของนายมด
Genres:
Adventure | Animation | Comedy | Family
Production Companies:
DreamWorks Animation
DreamWorks Pictures
Pacific Data Images
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BE: 14 BR: L CH: 12 CZ: U DE: 6 DK: 7 ES: APTA FI: K-7 FR: U GB: PG HU: KN IE: PG IT: T NL: 6 NO: 9 PL: 12 PT: M/6 RO: AP SE: 7 US: PG
Runtime: 83
A neurotic worker ant in love with a rebellious princess rises to unlikely stardom when he switches places with a soldier. Signing up to march in a parade, he ends up under the command of a bloodthirsty general. But he's actually been enlisted to fight against a termite army.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Modeller:
Stephen Sobisky
ADR Voice Casting:
Sandy Holt
Additional Music:
Gavin Greenaway
Animation:
Justin Kohn
Adam Valdez
Art Direction:
Kendal Cronkhite
Assistant Editor:
David R. Fent
Assistant Sound Editor:
Sonny Pettijohn
Assistant Sound Engineer:
Bruno Roussel
Casting:
Leslee Feldman
Casting Assistant:
Christi Soper Hilt
Character Designer:
Raman Hui
Choreographer:
Adam Shankman
Color Timer:
Terry Claborn
Conductor:
Rupert Gregson-Williams
Creative Consultant:
Terry Rossio
Ted Elliott
Director:
Eric Darnell
Tim Johnson
Editor:
Stan Webb
Editorial Coordinator:
Carol Norton
Executive Assistant:
Lisa Zusmer DelPrete
Executive Music Producer:
Hans Zimmer
Executive Producer:
Carl Rosendahl
Penney Finkelman Cox
Sandra Rabins
First Assistant Editor:
Devon Miller
Foley Artist:
Dan O'Connell
Foley Mixer:
John T. Cucci
Foley Recordist:
Linda Lew
Head of Layout:
Simon J. Smith
Head of Story:
Randy Cartwright
Layout:
James Buckhouse
Lighting Artist:
Annmarie Koenig
Lighting Supervisor:
Craig Ring
Music Coordinator:
Maggie Rodford
Music Editor:
Bob Badami
Jennifer Nash
Brian Richards
Negative Cutter:
Gary Burritt
Orchestrator:
Marcy Dicterow-Vaj
Original Music Composer:
John Powell
Harry Gregson-Williams
Post Production Coordinator:
Sven E. Fahlgren
Post Production Supervisor:
Erica Frauman
Producer:
Patty Wooton
Brad Lewis
Aron Warner
Production Controller:
Gary L. Wohlleben
Production Coordinator:
Jennifer Dahlman
Production Design:
John Bell
Production Illustrator:
Shannon Jeffries
Production Manager:
Jane Hartwell
Production Supervisor:
Denise Nolan Cascino
Researcher:
Rahul Chandrakant Thakkar
Screenplay:
Paul Weitz
Todd Alcott
Chris Weitz
Sculptor:
Damon Bard
Senior Animator:
Tim Keon
Set Designer:
Don Weinger
Sound:
Mark Jan Wlodarkiewicz
Sound Editor:
Julia Evershade
Sound Mixer:
Gregg Landaker
Sound Recordist:
Frank Fleming
Special Sound Effects:
John Pospisil
Story Artist:
Mike Cachuela
Story Consultant:
Zak Penn
Story Coordinator:
Catherine Dingman
Supervising Animator:
Rex Grignon
Supervising Dialogue Editor:
Avram D. Gold
Supervising Music Editor:
Adam Milo Smalley
Supervising Sound Editor:
Richard L. Anderson
Supervising Technical Director:
George Bruder
Systems Administrators & Support:
Michael Cutler
Thanks:
David Lipman
Jennifer Nash
Brad Reinke
Nina Jacobson
Michael Kahn
Visual Effects:
Nick Foster
Visual Effects Coordinator:
Jennifer Freeman
Visual Effects Supervisor:
Ken Bielenberg
Philippe Gluckman
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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