A work in constant progress (and occasional regress).
Release Date:
October 6, 2022
Original Title:
Los renglones torcidos de Dios
Alternate Titles:
Quando Dio imparò a scrivere
Кривые линии Бога
Genres:
Drama | Mystery | Thriller
Production Companies:
Atresmedia
Filmayer
Nostromo Pictures
Orange
TV3
Warner Bros. Entertainment España
Production Countries:
Spain
Ratings / Certifications:
ES: 16 FR: 16 HR: 16 HU: 16 JP: R18+ PL: 16
Runtime: 155
Alice Gould, a private investigator, pretends to be mentally ill in order to enter a psychiatric hospital and gather evidence for the case she is working on: the death of a patient in unclear circumstances.
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Assistant Director:
Gerard Verdaguer
Assistant Editor:
Xavi Carrasco
Associate Producer:
Laura Rubirola
Boom Operator:
Iñaki Lupiani
Juan Montoto Ugarte
Casting Director:
Eva Leira
Yolanda Serrano
Co-Writer:
Lara Sendim
Colorist:
Enric Sebastià
Compositing Lead:
Marc Domènech Sanmiquel
Costume Designer:
Alberto Valcárcel Rodríguez
Director:
Oriol Paulo
Director of Photography:
Bernat Bosch
Editor:
Jaume Martí
Executive Producer:
Rosa Pérez
Miguel Ángel Faura
Foley Artist:
Manuel Carrión
Gaffer:
Adri Lorente
Graphic Designer:
Adriana Perón
Hair Department Head:
Carolina Atxukarro
Key Grip:
Óscar Cano
Location Manager:
Laia Farran
Makeup Department Head:
Montse Sanfeliu
Novel:
Torcuato Luca de Tena
Original Music Composer:
Fernando Velázquez
Post Production Supervisor:
Nacho Melero
Marta Ramírez
Producer:
Mercedes Gamero
Ángel Blasco
Núria Valls
Adrián Guerra
Production Design:
Sylvia Steinbrecht
Production Director:
Magda Gargallo
Production Manager:
David Cuspinera
Property Master:
Clàudia Freixes
Screenplay:
Guillem Clua
Oriol Paulo
Script Supervisor:
Anna Vilà Parera
Second Unit Director:
Laura Rubirola
Set Designer:
Noemi Costa
Sound Designer:
Laura Díez Mora
Sound Mixer:
Marc Orts
Sound Recordist:
Aitor Berenguer
Still Photographer:
Quim Vives
Storyboard Designer:
Jun Matsuura
Stunt Coordinator:
Lluís Rivera
Stunt Double:
Marta Ruiz
Irene Ferré
Jonatán Fernández
Visual Effects Supervisor:
Àlex Villagrasa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.