A work in constant progress (and occasional regress).
Release Date:
October 16, 2008
Original Title:
Franklyn
Alternate Titles:
Dark World
Franklyn - Colisão entre dois Mundos
Genres:
Drama | Fantasy | Thriller
Production Companies:
Aramid Entertainment
Contender Films
Film4 Productions
Recorded Picture Company
UK Film Council
Production Countries:
France | United Kingdom
Ratings / Certifications:
CH: 16 DE: 16 GB: 15 IE: 15 TW: 輔導級
Runtime: 98
Set between the parallel worlds of contemporary London and the futuristic faith dominated metropolis of Meanwhile City, Franklyn weaves a tale of four souls, whose lives are intertwined by fate, romance and tragedy. As these worlds collide, a single bullet determines the destiny of these four characters.
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ADR Recordist:
Graham Stoten
Art Department Assistant:
Dominic Sikking
Bethan Jones
Art Direction:
James Wakefield
David Doran
Jan Walker
Assistant Accountant:
Daniel Budd
Assistant Costume Designer:
Tabitha Doyle
Assistant Editor:
Nathan Cubitt
Assistant Location Manager:
Amy McCombe
Assistant Production Coordinator:
Joanna McKinlay
Best Boy Electric:
Lee Knight
Boom Operator:
Arthur Fenn
Paul Schwartz
Camera Operator:
Julian Morson
Camera Trainee:
Kat Spencer
Casting:
Nina Gold
Casting Assistant:
Rose Wicksteed
Casting Associate:
Robert Sterne
Clapper Loader:
Lewis Hume
Co-Producer:
Nick O'Hagan
Alexandra Stone
Conductor:
Joby Talbot
Construction Manager:
Harry Metcalfe
Costume Designer:
Leonie Hartard
Dialogue Coach:
Roisin Carty
Director:
Gerald McMorrow
Director of Photography:
Ben Davis
Draughtsman:
Paul Kirby
Editor:
Peter Christelis
Executive Producer:
Peter Watson
Simon Fawcett
Peter Carlton
First Assistant Director:
Mick Ward
First Assistant Editor:
Brenna Rangott
Focus Puller:
Sam Renton
Clive Prior
Foley Artist:
Barnaby Smyth
Jack Stew
Foley Editor:
Barnaby Smyth
Foley Recordist:
Stuart Bagshaw
Gaffer:
Michael McDermott
Grip:
Keith Manning
Hair Designer:
Wakana Yoshihara
Hair Supervisor:
Bea Millas
Key Grip:
John Flemming
Location Assistant:
Hannah Lamb
Location Manager:
Helene Lenszner
Makeup & Hair:
Marie Le Bihan
Makeup & Hair Assistant:
Etuko Fujiwara
Ayumi Otani
Yonny Montaña Ospina
Susana Mota
Saynab Awaleh
Sarah Downes
Makeup Artist:
Emma Sheldrick
Makeup Designer:
Wakana Yoshihara
Makeup Supervisor:
Bea Millas
Negative Cutter:
Kerri Aungle
Orchestrator:
Ben Foskett
Original Music Composer:
Joby Talbot
Post Production Supervisor:
Layla Blackman
Producer:
Jeremy Thomas
Production Accountant:
John Miles
Production Coordinator:
Philie Naughten
Production Design:
Laurence Dorman
Production Manager:
Benjamin Greenacre
Production Secretary:
Nicola Price
Production Sound Mixer:
Simon Hayes
Property Master:
Chris Cull
Screenplay:
Gerald McMorrow
Script Supervisor:
Catherine Allinson
Second Assistant Director:
Simon Downes
Set Decoration:
Dominic Capon
Sound Assistant:
Andrew Rowe
Sound Editor:
Matthew Skelding
Sound Effects Editor:
Simon Gershon
Sound Re-Recording Assistant:
Kristy Jellis
Sound Re-Recording Mixer:
Matthew Skelding
Howard Bargroff
Sound Recordist:
John Hayes
Standby Art Director:
Lisa McDiarmid
Still Photographer:
Jessica Thomas
Storyboard Artist:
Toby Harvard
Giles Asbury
Supervising Dialogue Editor:
Dan Green
Supervising Sound Editor:
Bernard O'Reilly
Third Assistant Director:
Alex Kaye-Besley
Transportation Captain:
Rod Patterson
Unit Publicist:
Emma Davie
Visual Effects Supervisor:
Ryan Cook
Richard Briscoe
Wardrobe Master:
Katarina Borosová
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.