A work in constant progress (and occasional regress).
Release Date:
October 17, 2021
Original Title:
L’Œil, le pinceau et le cinématographe : naissance d'un art
Alternate Titles:
Auge, Pinsel und Kinematograf – Wie das Kino entstand
El ojo, el pincel y el cinematógrafo: cómo nació el cine
Les Frères Lumière : l'œil, le pinceau et le cinématographe
L’Oeil, le pinceau et le cinématographe : naissance d'un art
L’Œil, le pinceau et le cinématographe : naissance d’un regard cinématographique
Pintores e Cineastas
The Eye, the Brush and the Cinematograph: Birth of an Art
Genres:
Documentary | History | TV Movie
Production Companies:
ARTE
Beall Productions
Musée d'Orsay
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 53
Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.
Animation:
Thomas Bordier
Camera Operator:
Sébastien Bergé
Cécile Bodénès
Gábor Hollós
Matthew Marschner
Thierry Vivier
Color Grading:
Guillermo Fernandez
Director:
Stefan Cornic
Editor:
Adrien Guilloteau
In Memory Of:
Jacques Roudman
Original Music Composer:
Laëtitia Pansanel-Garric
Post Production Supervisor:
Guillaume Parrain
Éric Wattinne
Luc Lacoste
Producer:
Jean-Marie Nizan
Production Director:
Marie Garreau de Labarre
Researcher:
Christine Hamon
Sound Editor:
Benoît Héry
Sound Mixer:
Benoît Héry
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.